Category: Uncategorized

The wrong country for a rocker

After about a week of regular “vacation” in Split, Croatia, I was saved from super-boredom by a visitor. Visiting me was young singer Vili Kovac who I got to know last year, and enjoyed yapping music with. This year he had a bit of more time on his hands to spend in Split. It’s been enjoyable and informative for sure.

[Haven’t got any pics of my guest, so I just stole one; This is from his video-shoot]

It’s been fun and interesting. I learned a lot about rock in Croatia, sides of the music business here and we also met up with one of his friend here, guitarist from the band StimulanS who told me a little bit more about the reality for bands – especially metal bands – trying to survive in this country.
It was pretty oppressive hearing about how things are here, cause eventhough it’s tough for musicians everywhere, it’s on different levels in different countries.

– There is nowhere to play around here. No rock clubs, venues, nothing. Promoters will only book you if you’re already a “name” and rather book the same artist ten times in a row, than take a shot at something new. And rockers are lazy asses too – they’ll rather just hang outdoors somewhere with their beers than support the bands that actually manage to get a gig. And then they will stand at the door and argue about the price and want it a few bucks cheaper. It’s a pain in the ass, you don’t get gigs here and you can barely get a record deal playing this kind of music.

Then I wondered howcome artists don’t try recording anything in English, to make it easier exporting and reaching a wider audience. The guys explained it with record labels being interested in fast buck, period. The faster and easier, the better. They are only interested in what will get airplay on Croatian radio. That’s the main problem – in short.

Like I said last year when I was here and learned about how things were, it’s really sad to hear, because there is great music here, talented musicians with the same fire and will to make it as anywhere else in the world, but it’s ten times harder to make it – especially if you’re playing metal.

This, for instance, is one of the bands Vili turned my attention to: Manntra. A mix between folklore and metal, members from a band that has had some success out in Europe, Omega Lithium, and a damn cool video – check it out:

I’ve watched a whole bunch of great videos the past two days from Croatian bands, and there’s true potential there for many of them to have a great career outside the country if they only got the opportunity. Somebody has to get the ball rolling, somebody needs to be brave and look outside the box and just take a chance to release and distribute music from here out to a wider audience.

I hope that will happen, maybe it might help when Croatia enters the European Union, who knows.

Either way, had two great, half-lazy, music-nerdy days in the company of a talented young musician who I really wish all the success he deserves. I love his voice and hope to hear a lot more of it in the future:

He sure as hell has the drive and the will to go places, while still maintaining an integrity that is rare in new, aspiring musicians – especially considering the circumstances mentioned above.
You would think that with the difficulties musicians already need to deal with here, that he would be willing to do anything people tell him in order to get an album out. But dispite his young age, he has a very clear vision of what he wants to do and what he will absolutely not do. Respect to that.

[His power-ballad single “Kraj” – which means “The end”. A compromise between what the label wanted and what he was willing to do]

Interesting days in the name of music-nerding, I just wish that my ability to speak Croatian was a lot better, as the language was the main barrier and the reason why I couldn’t get into any extended discussions. After two days of searching for the right words I was exhausted and I still hadn’t brought up half of the stuff I would have wanted to know. Maybe I’ll need to go and get evening classes in music-Croatian for next year. :-)

 

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Decade Of Decadence – When Rock’n’Roll Was SEXY

Found a bunch of old hard rock mags yesterday. Wow – it was such a total blast from the past! As I was flipping through them, it reminded me of the “good ol’ days” when hard rock was SEXY! 
Us women often complain about guys being sexist, but truth be told – we were ALL simple cavewomen and cavemen back in those days!

I didn’t start listening to rock’n’roll because of hot dudes. There WERE no hot dudes in metal back in the very early 80’s. What, you had Judas Priest, Iron Maiden, Sabbath, Accept, Scorpions, whatever… Butt-ugly men playing mainly for other men. That’s what it was about around 1980-1984.

[No drool-objects]

But then something started happening in the mid 80’s and between 1985 and 1995, things changed – a LOT! All the super-sexy guys drew girls to the shows, which of course served them as well – cause along with that, came the Kelly Bundy groupie-boom. 
All the girls looked kind of the same, in skin-tight outfits and high heels. I used to look like a hooker back then as well and I loved it. It was a kick picking out outfits that you knew would make heads turn. It gave us girls a sense of empowerment. 

[Most girls who went to gigs and rock clubs in the mid-80’s until the early 90’s used to look and dress like Kelly Bundy]

I remember once at this club, I had picked out a dress with a quite revealing cleveage. A guy stopped me, stared at the “Twin peaks” and went: “Holy fuck! Are those REAL? Are you aware that people can see your boobs?”  Well… DUH! Yes, of course. That was the idea. I had no problem with it.
I had an okay body back then, I could wear “slutty clothes”, and it was fun. It was rock’n’roll!

Looking like a hooker was the “thangg” in the eighties. And boy was it worth the trouble! The GUYS were super HOT! :-D

When I’m flipping through those mags now, I remember how I used to buy PILES of those magazines: RIP, Hit Parader, Metal Hammer, Raw, Kerrang!, Metal Edge…. It was like PORNOGRAPHY! There were super-duper sexy rocker-guys on every page.

Quite seriously, I didn’t give a rat’s ass if Slaughter’s Blas Elias was a good drummer or not, I bought his instruction video because he was hot! :-) 
(Yeah, don’t tell me you bought Playboy magazine for the articles, mister! We’re all the same. ;)

Blas Elias, Slaughter. Just a nice eye-rester. :-)

There were all those guys who appealed to the most primal, the most basic desires in us all. They were wearing VERY tight ripped jeans, tight leather pants that did very little to hide cucumbers and asses, unbuttoned shirts – or no shirts at all, and all that….LOVELY amazing, fantastic HAIR!!! Oh yes. I was a hair fetishist, I could die to just run my fingers through those manes! Dark, long hair, wow. Rachel Bolan’s hair in 1989 for instance, unbelievable.

It was simply a time when hard rock was very sexy – on both sides. Women were competing for male attention, and I remember being in my early 20’s, walking around in high heels even on regular weekdays, or going to the university in a tight, short, black leather skirt! I was the only one in my class who dressed like that, but I loved to point out that just because you liked wearing cool outfits, didn’t mean you had to be stupid.

MEN cared about their looks too – to say the least, there were no checkered flanel shirts of baggy pants anywhere, the guys were strutting their stuff!

[Joe Perry, Aerosmith – strutting his stuff]

Joe Perry, Aerosmith. Very easy on the eyes too. :)

I guess you could say that the so called sexism went both ways, because we were ALL sex-objects! The songs were about parties, Harlies and sex, and frankly – the lifestyle of most rockers was about that – in a nutshell.

[One of the first “strutters” – David Lee Roth giving the ladies all sorts of ideas…!]

I miss those days a bit. It was a good time in the sense that it was actually when we were equals as crazy as it sounds. We all chose to be shallow sex-objects. It wasn’t just guys being pigs – us girls were no better. We were perfectly okay with the situation and we owned it! Isn’t that the way it’s supposed to be – really?

[One of the main drool-objects back in the day – Stephen Shareaux, frontman of Kik Tracee:]

So, I’m thinking – hard rock has often been accused of being sexist – and musicians of being pigs. And god knows I’ve been pissed off at stupid Beavis and Butthead-type of guys many times, but if you look at it from a wider perspective, maybe rock was actually the most equal type of music there ever was.

Because where else were men as eager to show off and strut their stuff for the ladies, as they were in rock? Nowhere. 
Just saying – maybe it’s time to reevaluate some things, as we’re looking in the rearview mirror….. :-))

 

[Some guys you wanted to see more of – and some… not so much!]

 [And one last poser band – Hardline with the Gioeli brothers]

Ozzy & Friends ticket hell

Yesterday really put my patience to the test (not that I have a lot of that to begin with…). 
 

Ozzy & Friends in Dortmund, Germany. Steel Panther opening. Perfect gig
Except for having to stay awake through an entire Black Label Society dead boring gig, but that’s the deal, what can you do……

I hadn’t decided whether or not I was gonna go, until an online friend asked me about my plans. She wanted to go and figured we could share room and go to the gig if I decided on Dortmund. Sounded cool to have company for a change and meet a new fellow music fan, so it didn’t take a lot of persuading to get me to decide. I was going!

So, after working out our plans on the phone, I went straight to Westfalenhallen’s own website, as they were the only ones selling tickets at face value.

I spent TWO (yes 2, two, zwei, två, deux, dos, due) freaking hours, trying to buy an Ozzy ticket!

The Van Halen ticket-hell that I went through a few months ago was a walk in the park compared to this. 

So, this is what you’ll have to deal with, if you ever feel like ordering tickets from Westfalenhallen’s website:

The website is not available in any other language than German. Great.

There is a link that says Tickets. When you click on that, you get three other links that sound similar, and if you don’t speak German very well, it’s pretty hard to understand the difference between the link “Tickets“, “Ticket-Store” and “Ticketing Westfalenhallen“…….. So, I clicked on the first one. Took me to some sort of search-page. Typed “Ozzy“. Got one result – just some sort of info-page about the artist in German.

The page didn’t include a link to any tickets. It just said that you could purchase tickets by clicking the link/button “Ticketinfos“. Just my luck that neither the link or the button was on the page yesterday. :-( (they had fixed that the next day, no wonder I was going nuts for not finding it!

I was searching everywhere on the page and it took me an HOUR only to find some kind of ticket-store on that page!

I FINALLY tried clicking on any other artist on the page and it opened some outdated, old Java-applet that looked like it was left from 1987 or something…. After clicking my way through THAT I finally got to the last stage where I could buy the tickets (HALLELUJAH!!). Right.

First I had to REGISTER as a new customer. Fair enough. Then it wouldn’t accept the password – so I kept requesting new ones. I ended up with a mailbox that had no less than SEVEN new passwords! 

NONE of them worked! (black smoke coming out of my ears at this point…)

I started over, registered again, used another mail address, realized that you couldn’t print the ticket and it cost 15 euros to get them to send the tix outside of Germany, so… *sigh*  I had to go back and change my customer info and use Nadine’s address instead.

And after TWOOOOOOOOOOOO HOURS I had the effing ticket!! I was ready to throw the PC out the window, one of the most frustrating online ticket-purchaces I’ve ever experienced!

But now it’s finally done. Trip booked, hotel booked, concert ticket taken care of, so the show better not suck. :-) Not after the ordeal I had to go through to GET the ticket!

Somebody asked me why I didn’t just request a press ticket. Because – as good as it is with freebies, they never send you those tix in advance. And the list gets there in the last minute, usually. So, you are always risking ending up way in the back because you have to WAIT for it.
I don’t have the patience for that. I want my ticket at hand when I get in line.

I’m still into the music and the gigs – I’m not and I never will be, the bored journalist who’s standing way in the back with a glass of wine talking to colleagues or just checking out the show from the soundboard looking slightly blasé.

I want the experience, the sweat and being part of a jumping, wild crowd – the actualADRENALINE. That’s what I live for. So, no freebies for me if it’s a band I really like (unless of course, it’s a laminate that will grant me access to anything or I’ve seen the band lots of times already and need to just write a review). :-)

A month from now. June will be a kickass-month! So looking forward to it.

[From one of last year’s OZZY-shows. This one is from Ergo Arena in Poland. I was sick as a dog, 39 degrees C fever, had spent all day in bed at the hotel trying to recover. Yet I forgot all about it at the show – it kicked ass!]

 

On the road with Jon Oliva’s Pain – 2007

This road report was originally written for a magazine, but was never published for various reasons. I think part of it had to do with that the editor at the time, had a different idea of what he wanted a tour report to be. He prefered interviews on the bus instead of the “fly-on-the-wall“-approach. Either way, it was never used.

To me however, it is still, to this day, one of MY favorite pieces. And now, in 2012, it’s also a piece of untold history.

Two people who were on the 2007 tour are not with us anymore. Greg Marchak (sound engineer and producer) passed in September 2007 from a brain aneurism. Matt LaPorte (lead guitarist) passed away in April last year.

When this was written, Jon Oliva’s Pain was still a family well held together in a way that I’ve never seen or experienced with any other band ever before. It brings back some great memories.

So here it is – tour of 2007, Scandinavia, on the road with Jon Oliva’s Pain.

ON TOUR WITH THE MOUNTAIN KING
Text & photos Daniela P

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It’s an early, damp and chilly morning in Halmstad, Sweden. Jon Oliva’s Pain, band and crew, have just enjoyed a day off and now it’s time for the equipage to start heading to the next destination: Oslo, Norway.

The band’s bassplayer Kevin Rothney is helping me get my heavy, bulky Sweden Rock Magazine-bag up on the bus. When I finally get my ass up on the bus, I’m greeted with smiles that make me feel right at home, like an old friend.

 

One of the first things a first-time visitor on a tourbus must learn, is how to use the toilet.
Well…if it’s absolutely necessary to use it at ALL, that is. Cause you don’t go unless there’s just no other option. Somebody starts laughing and mentions the word “pissfoot” and everybody seems to know what that is. I’m about to learn that as well.

The bus-toilet must have been designed for pygmies, cause whoever tries to get in there will have to grease their hips and practice advanced yoga to get in and out.

Some of the guys ended up standing OUTSIDE trying to aim, well you get the picture – and with a bus that drives 90 km/h on the highway, brakes and passes other cars, you can probably figure out what happens. The piss doesn’t end up where it’s supposed to. So, whoever enters the loo next, can expect an unpleasant surprise. SPLASH! Sock + cold piss = Pissfoot.
Then, when the piss dries on the sock, it spreads a certain…odor on the bus. So, that was the very first introduction I got to “life on the road”. Might as well be informed of the worst parts right away and get it over with.

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The bus starts rolling, and the two Italians – drum tech Rig and guitar tech Fabio, start yapping in Italian, while eagerly filming everything through the bus window.

THE KING LIVES IN THE “ELVIS ROOM”
The curtains of one of the bunks are drawn to the side and a sleepy light tech peeks out – the Dutch girl Hanneke. Suddenly drummer Chris goes: “HEEY!” while looking at something behind me. I turn around and there’s the man himself, mr Jon Oliva. The guy who’s been the face and voice of Savatage for over 20 years, whose fans worship the ground he walks on. He smiles. He’s cool and he’s damn funny. You can’t help but instantly like the guy. He sleeps way in the back of the bus – in the Elvis room. There’s much more space back there than in any of the other coffin-like bunks that the rest of us are sleeping in.

We are approaching Oslo and the video cameras are rolling, everybody’s admiring the stunning view. Jon is just smiling. He doesn’t look particularly impressed. He’s used to this.

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When we reach Oslo, and park outside the venue, it’s like somebody hit a button. Everyone knows what to do, and like worker ants they unload everything in a matter of minutes. People are running back and forth, pushing anything with wheels on it. Inside the black-painted rock club Johnny Dee, things are going very quickly. It doesn’t take long before everything is up and running and the sound check is ready to commence. Efficiency, that’s the word of honor. Tour manager Anett is all over the place, making sure that everything works. She is like a school-teacher telling the students about things they need to know and remember – anything from dressing rooms, showers, food, schedule….

LETHAL VEGGIES
Someone put a veggie-plate in one of the dressing rooms. The guys are looking sceptically at it. You can probably die from veggies. So, broccoli and all that other stuff, ends up being used as ammunition in a food fight. Jon Oliva however, is sitting in his own dressing room with a viking helmet on his head. He is just taking it easy, greeting journalists with that Oliva-smile that we know so well.

Olivaviking1
olivaviking2

The club is jam packed when it’s time for the band to hit the stage. The craziest die-hard fans are already hanging at the barricades. As expected, the classic Savatage songs are the ones that gets people to sing-along, But it’s also clear that the Oliva-fans are loyal and they keep buying the records no matter what name is on the label.

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After the gig it’s full speed again. The crew is rolling out the gear fast, The bus has a deadline to meet, so gear, band and crew all need to be ready for “takeoff” on time.

The noise level on the bus is all the way up to eleven, you can hear roaring laughter and hi-fiving all over the place, The adrenaline is still pumping through everybody’s veins after the successful show. But the bags need to be packed and that’s done while the chatter with the guests backstage continues.

[One of the guests in Oslo – from Pagan’s Mind]

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When it’s a few minutes past midnight, everybody’s on the bus cracking jokes, laughing. Some are a little buzzed, others are crawling into their bunks falling asleep pretty much right away. It’s easy to tell the crew from the band at this point. The “foot soldiers” are the ones who have a tendency to be in bed way before the band.

FIRST COME FIRST SERVED SHOWERS
It’s five thirty in the morning, and there are still people up partying. Soundguy Greg and a few more people from the crew, have crawled into their bunks and drawn the curtains. It’s cozy in the bunks, there’s a little lamp in there and everything. The kind of place you would have loved to have as a kid. But you have to twist and turn like a rubber-circus to try get your clothes on or off, cause there’s not exactly lots of space in there.

It’s like a cradle – a dark, humming bus that just rocks you to sleep in no time. Perfect. Well…If it hadn’t been for the fact that musicians aren’t exactly the type of people who are known for keeping their mouths shut and even less for sleeping at any time of day – at all.
Those who decide to go to bed and get some sleep, will do it to the sounds of laughter.

The next morning, I get bright sunlight in my eyes, even through the curtains. We are in Gothenburg, apparently. The guys in the other nightliner, opening acts Nostradameus and Dionysos, are running back and forth like a shuttle service to the two showers that are on the second floor, near the dressing-rooms. Two bus loads of people means that time and shower facilities aren’t always enough. It’s simply the first come first served rule that applies.

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In the meantime, it’s totally dead on the Oliva bus. People were up all night last night, so it will be quiet most of the afternoon. The only ones that are up and about are the people in the crew who went to bed early last night.

Breakfast is a luxury. Someone made coffee, you can smell it throughout the bus, but if you’re looking for actual food – forget it. People simply grab whatever lies on the table from the night before, which could be anything from chips to chocolate. Breakfast in this context usually means a smoke and a beer, or, in best case scenario, coffee.

One after the other they are waking up, and it doesn’t take long until the front part of the bus starts looking like it’s being populated by characters from “The Night Of The Living Dead“.

Keyboardist John Zahner is standing with his newly purchased digital camera ready to be tested. He announces that he’s going out for a little sightseeing tour.

 

BEER IS NOT ONLY GOOD FOR YOUR HAIR…
Once back on the bus, there’s a grunt from one of the bunks and it’s Kevin who’s come to life. He’s about to give a lesson of how to take care of your dental hygiene on the road. He takes out his toothbrush, squeezes out a bit of toothpaste on it, whips it around in his mouth then takes a mouthful of yesterday’s Heineken, gargles and….swallows. All done! Dental hygiene á la tourbus!

Everything is set up and ready inside the club, it’s time for sound check. Soundguy Greg is angry because the sound board is crap, some junk that looks like something you would find at a recreation center – it will be a challenge to make anything sound good with what he’s got to work with.

Light tech Hanneke is shaking her head also, the stuff she’s got to work with is a joke too. It basically consists of THREE buttons that a three-year-old could handle. She laughs and says that it’s easily earned money that night.

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There’s a sign in the dressing room that says something about smoking being prohibited and no alcohol. Jon’s eyes are as big as plates, he starts laughing. I had to explain that it wasn’t a joke, it’s for real. Welcome to Sweden!

NO REST FOR THE PARTY ANIMALS
It’s party time again on the bus after the show. Half of the working force is totally beat though, so they crawl into their bunks and fall asleep pretty much instantly. At four in the morning there’s still a lot of noise in the front of the bus, which makes some give up the idea of getting any sleep anyway, so they decide to crawl out of their bunks to join the others – which results in them not getting back to bed before six in the morning…

Three hours later, tour manager Anett starts kicking people out of the bus and up on the ferry. She doesn’t care who’s hungover, everybody must leave the bus right now. There’s a lot of grunting and grumbling, but they all eventually get out and light up when they see and smell the coffee in the cafeteria.

Bassist-Kevin, the band’s party animal, plonks down on the nearest couch and passes out again. That guy can fall asleep anywhere. The others are sitting there crosseyed, trying to perk up. Musicians don’t like being up at this hour, that’s for damn sure.

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When the bus arrives at The Rock in Copenhagen later that morning, nothing is working as planned. The promotor doesn’t know which band he booked, the elevator is out of order and the gear has to be carried down steep steps, the sound system is not the one that has been promised, and the irritation is noticable. Anett is pissed off, Jan is shaking his head. But they are all professionals and used to this sort of thing. They have learned how to work miracles with whatever is thrown at them.

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All the problems have been fixed by the time the doors open several hours later.
But guitarist Matt LaPorte gets the very sad news only minutes before he’s due on stage… His father has passed away. It lowers the mood of the whole band, it’s tough to be so far away from those that are close to you. The band is the only family you can turn to in times of crisis. But the crowd won’t notice anything, because Matt goes up there and he plays, just like he does any other night.
Because the show…must go on…

VIDEOS…

[Greg Marchak and Jan Janvier trying to get the best out of the sound equipment at The Rock, Copenhagen, 2007]

[On the bus to Oslo, beautiful view, crew filming]

[1:14 – Probably the biggest Oliva-fan in Oslo!]

Where in the world are you going to be THIS weekend?

One of my colleagues at work was asking people, quite randomly, what their plans were for the weekend. He got replies along the lines of “I’m just going to take it easy...”, “I’m going out with a few friends...” – then he turned to me and went: “So, Daniela, where in the world are you going THIS weekend?” with a big grin.
Guess it’s been like that back and forth since I ran out of vacation days. I’ve had to do everything on weekends!

Athens, Greece the first weekend in January (for Firewind), New York City two weekends later (for Steve Stevens and Sebastian Bach on Iridium, Broadway), Tampa, Florida for just one day to see Van Halen… And probably some European dates inbetween that I already forgot about. 

I didn’t do this a few years ago. I guess that the general opinion is that you “can’t” do crazy shit like going overseas for a weekend, unless you’re a millionaire with nothing better to spend your money on.
But then I realized that you CAN.

Maybe it’s crazy, but really, the only “crazy” part is the short time-frame. Nothing else. And if you think about it, it’s not that crazy at all, because usually HOTELS cost a lot more than the actual trip, so going for a weekend is SAVING money, not the opposite. Two hotel-nights equal a flight ticket, most of the time. For that, you get to visit more countries instead of just one. :)

And going several times a year means that you don’t have to squeeze in everything you want to do in a few days and then think that you’ll never come back. You do what you need to do – well knowing that you WILL be back, and probably pretty soon too. :-)

There are different ways of making it possible – apart from living on crispbread and noodles.
I just applied for an American Express card with flyer miles. If you get approved, you get 20,000 miles as a welcome-bonus, which is enough for a roundtrip somewhere within Europe. With my 10,000 current miles on the bonus card, that makes 30,000 miles which is enough for an upgrade to business class. Never flown business class but always wanted to – and so for my next overseas-trip I’ll use the miles for that! :-)

The best thing about a credit card that offers miles for everything you buy, is that it’s effortless! I need food anyway, I will buy concert tickets abroad and trains, flights, buses, whatever, every 100 SEK gives 20 flyer miles (100 SEK equals 1 loaf of bread, butter, milk, a piece of cheese and a pack of chewing gum – now you do the math how fast you get to collect miles to get free flights!).

 But for now… A “regular” vacation in Split, Croatia. Three weeks of getting pissed off at crappy internet-connections, no car, no cable TV (just regular, standard TV which is like 4 channels I think….) expensive phone, so I can’t call friends anywhere else in the world like I’m used to. And most of all – no rock’n’roll. GAAH! It’s going to drive me NUTS!

The highlight last year was hanging with this dude – the only person I got to talk music with during my stay in Split last year. I hope there’ll be an opportunity to hang out this year as well. Was nice of him to travel all the way down to Split eventhough he lives in the north part of the country, I think maybe about 4 hours travel or something like that.

[A Justin TImberlake-song never sounded this cool, lol!]

I’m just not cut out for “regular vacations”. If it doesn’t include music in one way or another, I’ll most likely not going to enjoy it. Maybe a week, tops. 

Was checking tour dates for Ozzy, Steel Panther, Billy Idol, Firewind, Lita Ford, and wrote them all down in my calendar. And all the festivals of course. That’s the only way to keep track of the bands I want to see. Otherwise I have no clue what day it is, yet alone who plays where!

But I’m getting pretty good at this, I get away with the travelling fairly cheap, simply because I’ve learned how. I wrote a few tips last year, but I might write a little book about it someday. :-)

Here are the travel-tips blogs from 2011:

http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-1

http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-2

http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-3

An internet friend e-mailed me the other day asking if I was going to see Ozzy in Dortmund, Germany in June, cause she wants to go and figured we could split hotel costs and go to the show. It’s never difficult to persuade me to something like that. :-)

I wanted to go to that gig anyway because it’s at Westfalenhalle, a venue that I remember from my very early days, beeing a teenage rocker in 19something….. [mumble….].

Ozzy, Judas Priest, Iron Maiden, Def Leppard…. Those are only a few of the bands that were playing there back then, and it was aired LIVE on TV at the time. It was a big deal when something was aired live back in those days, so I remember it as a big event. 

[Def Leppard back in the day when they were really cool:]

As it’s only two days from the Ozzy-gig in my home-town Malmo, I need to know when my friend Bianca who’s visiting me for THAT, is going back home, so I’ll have to wait before I book any trains or flights. I’ll probably take that whole week off and go to Germany and then to Sweden Rock Festival two days after THAT. 

Yeah, the madness is about to begin. Soon. Very soon. :-D
I love my life. :)