Category: Uncategorized

Sweden Rock Festival 2014 – Part 1

Sweden Rock Festival came and went, and I never really had a chance to blog about it at the time. Somehow things always pile up and you end up with a lot of “back log”. :)

Going back to the first day of the festival – Wednesday, June 3rd

That’s the laid back day of Sweden Rock. Few bands playing, an opportunity to get your pass without standing in line for an hour, to just check out the area, see if anything has changed since the year before. There’s always some little detail that’s different.

But ONE thing is always the same. The pain in the butt crew-parking… EVERY single year I get a message that the pass has been sent by snail mail, but funny enough, those never EVER reach my address. In all those 20-something years that I’ve been going to the festival, the parking hell has always been the same. If the parking pass had actually been posted and arrived at my address before the festival, there would BE no problem. But that would be too easy. :)

I got there, drove to the crew-parking, said that my parking pass was in the accreditation booth. “You need to get your parking permit before you can park!“, they said

So I went to the accreditation-entrance but I wasn’t allowed in there either, because I didn’t have my passes yet. OK, so I couldn’t park without a permit, but I couldn’t get my permit before I had the pass…… *sighhh*. I kept driving back and forth before calling the head of press to explain the situation. It wasn’t easy for him either and this circus went on for more than half an hour. He managed to fix it though – THANK GOD, but what a waste of time. Another good reason to get there on the “slow” day. :)

My plan for the day was to see Magnum and Queensryche. I didn’t try to get in the absolute front for Magnum, cause I’ve seen them so many times before. They have classic, epic songs, just amazing material. The problem though is that Bob Catley, the man with the Voice was struggling to sin those songs. I don’t know if it was just a temporary vocal problem or if it’s permanent, but it sounded so-so….

When Magnum were done, people left the area for beer, food and toilet visits, so I got in the front/middle for Queensryche. I was crazy curious about the new lineup with Todd La Torre. The weather was getting worse, dark clouds, rain was on its way… but there was no way I was moving. As I was standing there, two guys from the stage crew approached me with big smiles. I thought they looked familiar but couldn’t for the life of me figure out why.

– Do you recognize us? said one of the dudes.
I did actually, but didn’t know exactly where from…

– You wrote about us a while ago. We’re from the band Charlie & Fredrik.

BAM! I remembered! These guys were competing in a talent show (Emergenza) in Malmo a while ago and they were by far the best act. Musically, no one else came even close. If it had TRULY been about MUSIC, those guys would have been the given winners. Unfortunately, as the contest was about getting the audience to vote for you, it was almost impossible for a band that was from out of town, to compete with those who brought all their pals from school, work, families and so on…

They came in last and I thought it was absolutely scandalous. But that’s the way it works, it’s not a talent show as much as it is a popularity contest. Anyway, I heard that they had new projects in the making which I was really happy to hear. I do wish them the best, those were talented guys (and girls).

The guy standing right next to me was super excited about everything, it was his first Sweden Rock and he was a big fan of  good VOICES. So he was curious to hear what Todd La Torre would bring to the table with Queensryche. He was abit of a sceptic but still had an open mind.

It started raining when it was time for Queensryche to hit the stage, but that pretty much goes with the territory. No festival without rain! :)

And when the band entered the stage…. it was just totally worth the wait AND the rain!

 photo P1120611.jpg

I’ve been a fan of Queensryche since the Rage for Order album. I’ve thought that Geoff Tate was one of the best in the business, and let’s face it: He was! Nothing can take that away from him, he left his mark on Queensryche and dispite all the crap and the whining between him and the rest of the band the past few years, that didn’t do anyone any good, he’s had a long career being on top with that amazing voice.

But – there’s a new kid in town. The last time Queensryche played Sweden Rock festival with Geoff, I couldn’t even stand listening to it. It was horrible. I left after three songs because it was so embarrassing that I just had to go find some other band to watch.

Now they were back with another singer. Would it be like a cheap karaoke-version of Queensryche, would it be a sad reminder of what used to be, or what would the verdict be?

I don’t have to think long or hard to answer that. It was clear from the word go that Queensryche is one of the very few bands in metal that has managed to replace their singer and get away with it. Not only get away with it – but actually WIN doing just that. I can’t think of too many bands that have been as lucky.

Todd is amazing. Nothing short of a-mazing. His voice can do everything Geoff could do – and more. And better. He’s got so much energy on stage, a presence that makes people watch him and follow every move he makes.

 photo P1120726.jpg

There were times when he sang like such a GOD that I just wanted to HUG the guy! Oh my GOD! What a gift – what a TALENT! And to think that he’s actually…. originally….a DRUMMER! Multi-talent, indeed!!

That gig was fantastic. I loved hearing all the classics, all the new songs, hell, I would have been happy hearing Twinkle, twinkle little star, as long as Todd was singing it!

The guy next to me even CRIED to some songs, he was so moved. Yes. Queensryche knew what they were doing when they hired Todd. He’s given them new life – there’s absolutely nothing stopping them now!

Here are a few glimpses from that show! Enjoy – and crank it up!

 

PHOTOS FROM THE QUEENSRYCHE SHOW:
http://s1186.photobucket.com/user/InTheRearviewMirror/library/QUEENSRYCHE%20-%20SRF%202014

Guitar Universe – final destination…!

It was slightly different getting up in the morning only to transport myself from one side of town to another – from one situation to another. From the Metal God to a guitar-gig.

I was still in Kensington where I had spent most of my day at Sony Music’s office, listening to the new Judas Priest album and talking to “The Metal God” himself, Rob Halford. NOW, I was checking out from my fancy Kensington high street 4-star hotel, to take the tube over to Angel station (funny – the song “Angel” by Judas Priest was in my head the whole time…!)


It was pretty easy finding my new hotel. What I didn’t realize was that it was right down the street from the venue where the Marty/Gus-gig was taking place later that evening: O2 Academy Islington.

I always pick hotels that are as close to the venues as possible, but this had to be a record! It was literally maybe 20 steps from the back door of the venue…!

I found a familiar face, Andy, sitting outside in the sun just chilling. It was the calm before the storm. Chatted for a minute or two, then I left him to just enjoy the few minutes of peace he would have that day, and went over to my hotel to check in.

After an hour, I went back out again, thought I would find something to eat, but after a short stroll around the block, I couldn’t find anything that I was in the mood for, so I went back to the venue.

During the 30 minutes that followed, I managed to steal a few minutes from the busy crew guys and a few band members who had been out for a walk and were about to start load-in. :)

There were two fans outside the club with plastic bags full of records, and I was wondering if they were there for Marty or Gus. Turns out, neither. They were there for Mats. They had every single CD he’s ever sung on…! And there was……a LOT. :D

Jo came off the bus, looking slightly dazed. So, while the load-in was in progress, I went inside the O2 with Jo and Or. They went looking for the dressing room, while I decided to just find someplace to make myself invisible, stay out of the way and just be a “fly on the wall”. :D

During the hours in there, I watched two sound checks, by Marty Friedman and Gus G, a video shoot for Marty’s new video and a “lesson”/rehearsal thing with Herman Li from Dragonforce who was going to join the guys on stage later that evening.

[Marty shooting a video] I bumped into Marty out in the stairwell. He smiled: “Oh, hi! You take good pictures. I like your photos.” I figured he probably must have liked them, cause I’ve seen a few of his updates that included some of my pics. I’m glad he liked them. :)

It was crazy hot inside so I went outside and found Or (bassplayer for both bands) there too. When Jo came out he immediately went: “Let’s go get some food!”. Food was the keyword. I was starving! So off we went.

Found a Vietnamese restaurant nearby, the menu sounded good, prices reasonable. And best of all, free WiFi (was pretty much the first thing Jo asked for, haha!).

I don’t exactly remember what I ordered but it was spicy…! And then we couldn’t quite figure out the currency (three people from 3 different countries, with the wallets full of various mysterious currencies, not necessarily the kind that is accepted in that particular country…!).

When we got back to the venue, the doors had already opened and there were people standing at the barriers, so I took my place there too. Last gig, thought I’d get a few pics and vids.

The opening act, Primitai, was okay. Never heard of them before – but they were alright. I remember thinking they had a good drummer. He didn’t look like a “powerful drummer” but he hit pretty hard and I liked his style.

Next on stage – Gus G. It was the perfect ending to my Guitar Universe tour, cause if I compare the level of energy at the first show in Tampere, Finland, with this one in London, it was very clear how much the band had grown into a true unity and what they were able to deliver.

Jo Nunez, drummer extraordinaire, impressed me more than anyone on this tour, funny enough. He’s always been an impressive drummer, but now he’s a full-fledged showman and entertainer as well.

He’s up there killing his drums every night but he’s gone from being a quiet guy that was almost invisible on his first tour with Firewind, to this mohawk-adorned, cool madman that’s spinning drumsticks, throwing them up in the air, challenging the crowd to make more noise, standing up behind the drum set letting his presence be known… He’s probably one of the best acquirings Gus has made for his band. :)

All I can say is: Jo-sus Christ!

Same goes with the new aquaintance, the bass-master from Israel: Or Lubianiker. Make no mistake, maybe people will take him for a shy and quiet guy seeing him offstage, but once he’s up there, he’s definitely not making any excuses. Just like Jo, he was working double-shifts, playing for Gus and Marty on the whole tour, keeping a steady and reliable rythm section for both guitar heroes.

 

While I guess that most of the guys in the crowd were guitar-geeks, I’m sure that there were some pretty impressed bassists there as well, who were checking out Or’s dexterity and  experiencing total bass Or-gasms… (yeah, pun intended. ;D).

Mats Levén is a given frontman, he certainy has the pedigree to prove it too. He’ll sing whatever you throw at him, and he will do it well.

And Gus G himself? What can I say- I’m running out of adjectives! He was in a good mood which led to a more intense communication with the crowd.

The ONLY thing I would want to see more of from Gus, is an Yngwie-style guitar-pick rain during his set, to “feed” the hungry guitarists in the front row.
Those dudes down there would kill their own mothers for one of his picks…! More of that, and I think the “guitar geeks ” would walk on pink clouds for DAYS.

Cause needless to say, there are mostly guys in the crowd. How do you get more girls to the shows? My suggestion, from a female point of view, would be simple: Bring the “hair-fan” next time, it’s gonna work (well, it’s always worked for Steve Vai)! ;)

Other than that, he plays like a god. Always. I liked the songs from his solo-album before the tour, but I’ve gotten new favorites as I’ve kept hearing them live over and over again. “Eyes wide open” for instance has been stuck in my head for days already!

Also, their rendition of Thin Lizzy‘s “Hollywood – (Down on your luck)” was really one of the best so far. There was a drive and an energy in the performance of that particular song in London, that was really contagious.

Then, after the change-over, Marty time! Like I’ve said before, he’s got a very natural stage personality and that combined with his material, which is a winning mix between melodic, heavy and “riffy” instrumentals, simply makes time FLY!

He and his “partner in crime”, Takayoshi Ohmura, are constantly interacting with the crowd, making sure every single person out there feels like a part of the show. It’s virtuosity in every sense of the word, but not in a boring, nerdy sort of way, it’s made accessible and enjoyable for all kinds of people (providing of course that you like music…).

Before I knew it, he was done and it was time for that one last song, that one last little surprise…. Which this time wasn’t only Gus as a special guest, but also Dragonforce’s Herman Li. Yet another fast shredder to add to the equation. Hold on to your hats, ladies and gentlemen, here we go!

After the show, I remembered that I was wearing high heels (I usually go to these gigs in sneakers cause I always have to walk a lot, but this time with my hotel being so close, I chose the heels instead). Those things were KILLING me after so many hours or standing and walking, so I figured I’d just go and say bye to the guys and then get a bit of sleep.

Flashed my laminate to the security guy and went to the backstage area.

My original idea was to wait at least 20-30 minutes so the guys could just get a break before people started barging into their dressing room, but when two guys just walked right in, I just went right along with them. What the hell, if nobody else thinks in my unfashionable “considerate” terms, then I’ll just go along with the crowd, lol! :)

It was slightly crowded back there, all kinds of people. Glad to finally have met Sharon from the management as well. She was actually the first person I was in touch with before that Relentless garage-gig in London years ago, and then I’ve seen her name online many times, but never actually met her. So that was nice. :)

Gus was stuck in this tiny production office with people walking in and out. I could only see a bit of his black Converse snakers and hear him back there somewhere – otherwise he was pretty much invisible.

 

When a handful of guests had left the backstage area I just stuck my head in and asked if I needed to take a number or something. :) It was kind of like in a dentist’s office. “Neeeext!”

He was talking to the guy who’s made Firewind’s cover-artwork and also for the latest solo-album. So as it turned out, the Firewind-symbol silver-pendant that I was wearing, had in fact originally been designed by him.

 

Pretty cool, you rarely ever meet those people. As always after a show, people just scatter all over the place so I never got to say bye to any of the crew guys, Jo had left to take a shower but it took a while so I just decided to call it a night and leave the area.

It’s been different, but good and I hope there will be more touring soon.

Photos from this gig: https://intherearviewmirror77777.wordpress.com/2014/05/05/guitar-universe-day-2-helsinki-finland/

Reflections on coming home: Welcome to Tour Twilight Zone 

Photo gallery from Guitar Universe (Gus & Marty)

“I outdid myself this time”

I Am The Fire

Gus G solo album I Am The Fire

Spoke to the guitar maestro, Gus G the other day. I love his solo-album (official release date March 17) and there was a lot that I wanted to know about the birth of I Am The Fire.

The actual interview will be published in a few weeks, but this was one of the best quotes from it. And believe me, he’s telling it like it is. :) He’s way out of his usual comfort zone in every aspect with this album- and it kicks ass. If you’re into traditional hard rock/metal with a modern sound, this is something for you.

Interview, review and all that will be up here in due time!

Gus: It was a fun record to do, in general. I composed 95 percent of the stuff when I was doing my demos. So basically, when I went into the studio  I just replayed everything through a proper amp.

But if we’re talking about CHALLENGING, I think the instrumentals were very challenging for me. I kinda outdid myself this time. I pushed myself to play harder, more difficult stuff. I even had to practice all this stuff when I went into the studio to be able to play it!

And when I had to learn these songs NOW I was fuckin scared shitless! How the fuck am I gonna do this live?!

Then I started practicing those songs standing still – just standing still. Cause it’s easy to play when you’re sitting down, but when I stood up and tried to play those songs, it sounded like a fuckin’ five-year old kid who had grabbed the guitar for the first time! Hahaha! Oh my god, I’m horrible! I gotta get it together!

Those are pretty technical, those two instrumentals. They have definitely pushed the boundries for me as a player. I mean, NOW I can play that stuff very easily, but that’s just because I practiced a lot. I liked that.

Are you gonna avoid playing those songs live?

Nooo! Hell no! We’re gonna be playing those! I look forward to playing it because now I can do it! I’m gonna start playing them even harder because now I’ve already mastered them, I’ve got it all down so now I can take it to the next level.

I mean, you know how Firewind sounds, those two songs are probably closer to Firewind and what Firewind sounds like. When I wrote those I thought, I’m probably gonna save those for the band later on. But then I thought… What the fuck, it’s a solo album and I should be allowed to have whatever the hell I want on it. If I want a fucking country song on it, I should be able to!
(to be continued….)

[First video, with Mats Leven]

Rockin’ in Tennessee and Florida

So, I’m back from my last trip of 2013 which took me to Nashville and Tampa to visit two of my dear friends over there, Blacke in Tennessee and Kevin in Florida. It was just a short stay, but I haven’t seen Blackie in almost three years (used to go there for Christmas but haven’t had time off the past few years) and the last time I saw Kevin was when Van Halen played in Tampa maybe two years ago or so. Been too long. So, I got on a plane over there on Christmas Day.

And of course, there is always music involved in one way or another. :) It wasn’t my usual gig-trip, but there were at least two interesting “Savatage-related” local gigs.

The first was in Nashville, at the Rutledge where ex-Savatage frontman Damond Jiniya was singing with Kuzin It. I remember him very well from 2002 when Savatage played a venue called Vega in Copenhagen.

Their light tech, Taz, invited me and my boyfriend at the time, to come see the show. My ex worshipped Savatage. So, he was in seventh heaven when he was able to get his stuff signed by Jon Oliva during sound check (or the preparations, I should say). The guy wasn’t normally impressed by anything, so that was a pretty interesting thing for me to witness. :)

sava

I remember Damond as being this dark and dramatic stage persona with a massive voice, one of those frontmen you remember.

[The only decent live footage I’ve been able to find on YouTube from that era, a festival gig:]

I haven’t heard anything about this guy ever since, other than briefly from mutual friend’s social media pages or whatever, so I was really glad to hear that he was singing in Nashville when I was there. Blackie’s boyfriend and his band Liquid Courage were supposed to play that evening too but due to some unforseen circumstances, they had to cancel.

Actually, Blackie and I were on our way to another show that evening by a band called Royal Court of China but get this…: When we got to the club, the first thing I heard was some rappers rapping on stage. That couldn’t be right. Blackie explained that we were on the list.

The guy at the door asked for which band and when he heard that it was Royal Court of China he said that it was the wrong evening – they were playing “tomorrow”. That was funny, that’s new – never happened to me before. :) Guess there’s a first time for everything!

So we headed over to the Rutledge to see Damond which I was curious to hear. To people there it’s a local musician, to people overseas, it’s the guy associated with Savatage, however brief his time in the band might have been. Either way, he sounded great. I like the versitility in his voice, he can switch between different styles easily, and he does it well.

[With Blackie and friends at the Rutledge just before Damond went onstage]

nashvvvv

This was my favorite from that evening, the Pearl Jam-cover “Black“. Not easy to do Eddie Vedder justice but this is really good:

And two more clips from that gig while I’m at it:

The music business is a crazy, unpredictable world – one day you’re in and next you’re “out”. One day you’re touring the world, playing big stages and handling huge festival crowds, and the next you’re playing small clubs with drunk people splashing beer in your monitors. But that’s what defines a true professional musician: the ability to handle 20,000 people at a festival or 20 drunks in a club. It’s probably easier to perform for 10,000 people than to a handful of people in a bar who don’t really give a fuck.

Anyway, the day after this gig, I headed down south, to Florida to see a longtime friend, Kevin (who used to play bass in Jon Oliva’s Pain). There’s another guy who’s spent his whole life playing. He’s got the most hilarious stories to tell (and I hope he decides to write a book about it someday). I got to know him when he was playing with JOP and he always gave 110% on stage.

[Kevin at Sweden Rock Festival, main stage 2009]

You could throw him up on a festival stage and he would cover every inch of it before the show was over, or you could throw him into a tiny club and he would still kill it. The dude rocks. Things are a little different for him too nowadays. His hair is shorter and he’s playing smaller clubs but he’s still great. Glad I got to see and hear one of his gigs while  I was down there.

[Apart from being a kickass bassplayer, he can sing too. Very cool, raw rock’n’roll voice!]

There day I was in FL and saw Kevin play was, of course, a rainy and cold day (I must have brought it from Nashville or something!) so there were less people than usual, but he’s still as great as he ever was.

This was from Sweden Rock Festival, hair longer, crowd bigger, same guy and same talent!

After my very short stay in Florida I returned to Nashville to celebrate New Years Eve and the plan was to see my hosts Blackie and Ronnie play with Liquid Courage but I was sick as a dog. Don’t know what I caught but I was coughing, had a fever and whatever, so I spent my NYE in bed. Hope I’ll get to see them do their thing next year instead. :)

Well, I’m back in Sweden finally, a few more days to relax before going back to work. Curious to see what this year will have to offer in terms of music and travels! :-)