Tagged: Yngwie Malmsteen
Greed, betrayals – scandalous biographies
Reading one of our Swedish tabloids…. On today’s news is the Swedish king’s former mistress from the pop act Army of Lovers – Camilla Henemark, also known as “La Camilla“.
Nobody gave a fuck about her for years. Now she sees her opportunity to get her ass back in the spotlight with the help of an autobiography where she exposes every celebrity that she’s somehow been “involved” with.
It’s been all over the news because she supposedly had an affair with the king of Sweden – and now she’s giving us the details – woo hoo. They were throwing sushi at eachother, rolling around on the floor, whatever whatever. Too much info.

My question is… Why do I need to know this? To me it’s just as uncomfortable as listening to a stranger’s private conversation on the bus. It’s none of my business. Your food-fights are between you and the other person. whether it’s your neighbor or the King of fucking Sweden.
Why is this considered useful information for anyone else – at all? All this nasty crap is beginning to bug me. La Camilla is far from the first or the only one who’s done this.
Another one that comes to mind is a Swedish rock journalist who I used to admire and look up to when I was a teenager. I’m not so sure that the respect I once had is so intact anymore.
A while back he wrote his memoirs – and made sure to include all the dirt and nasty details he could think of about the “rock stars” he had gotten close to throughout the years.
When asked about it, he said that it’s all cool, he had asked all the exposed artists if they were okay with it and according to him they’ve all been absolutely thrilled about being hung out to dry.
So, he’s basically cashing in on the fact that he’s been a part of the industry and was lucky enough to see and hear all those “juicy” things. It’s of course HIS choice how he chooses to portray himself, but how much of a choice was it for the people mentioned in the bio?
Now he’s written an unauthorized biography about Yngwie Malmsteen, kind of saying that it’s the only way to get “the truth” as Yngwie himself doesn’t like NOT being adored.
Well – that last part I actually do believe, because Yngwie is kind of “special” that way. :)
The point that I’m gettig at here is that it’s become a trend to expose other people for your own benefit.
It’s been done many many times, especially by groupies whose only claim to fame is that they’ve fucked guys who managed to do something with their lives and got famous for their music. So – a blowjob or a few orgies is all it takes to make a groupie a celebrity. Easy.
People haven’t evolved since they were cheering at gladiators killing eachother in a ring or watching witches being burned at the stake.
Someone else’s misery is enjoyable to so many. As much in 2012 as in 2012 B.C.
Groupies are one thing, seems that some of them are only doing it to get themselves a bit of the spotlight (although, I see a big difference between the “old school” groupies such as Pamela DesBarres or Bebe Buell and the modern groupie chicks ).

But… when it comes to people who have been close to a band – such as managers, crew people, girlfriends, wives, journalists…. To me it feels like it’s an unwritten rule that if you’re part of the circus, be cool about it for christ’s sake. It’s like any other kind of friendship – where’s the loyalty and the integrity when you go public with the things you’ve seen when being a part of the rock’n’roll package??
That old saying “Whatever happens in Vegas, stays in Vegas” is a rule that applies to the world of music as well. Whatever happens on tour….
None of these “authors” would like their own dirty laundry on display – the difference is that the celebrity can’t hit back with the same weapon, because nobody gives a shit about….a nobody.
It’s an abuse of power that’s really disturbing, when people who have had the opportunity to get to know someone in the entertainment-industry, suddenly decide to dig out all those secrets that were supposed to be kept private – and turn it into public entertainment.
I’ve been betrayed by friends, people I trusted, and it’s a horrible feeling. For most of us it doesn’t become public knowledge. As a celebrity you’re always risking that. It blows when some make rock stars or movie stars targets for these “reveal it all” sort of books. It’s fucking crap and I lose respect for the people who do it. They would sell their mother if they could benefit from it.
This might be a stupid example because it’s on a totally different level than the Yngwie or the “I screwed the king”-thing, but two years ago I had an idea to write a book about the time spent with Jon Oliva’s Pain. It was supposed to be something from a different perspective as I’m not a groupie so it would be written from an angle that people might not be used to.

But after maybe 50 pages or so, I gave up. It just didn’t feel right. Where do you draw the line between privacy and what’s okay to expose in public?
These people welcomed me into their life on the road, shared whatever was theirs with me – food, bus, whatever, and most of all, they always welcomed me with open arms everywhere. And most of them are still my friends.
Not that there was any “Motley Crue” sort of dirt to expose, but just in general – what would they be cool with and what would be stepping over boundaries…? It wasn’t as obvious as I had thought when I first began. I just ditched the whole thing.
I’ve written about “rock stars” for 25 years now. I admit that I made some mistakes, especially when I was younger, because I was so eager to build myself a career and show that I was as tough as the journalists I thought were cool at the time. I wanted to get to the top, no matter what.
I was thrown into this crazy circus as a teenager and was schooled in the world of tabloids. Whatever made a good story was okay, no matter who you hurt in the process or how much of an ass you had to be to get the scoop. I used to think that was true. I don’t anymore and I haven’t for many years.


This (article above) from the early 90’s was my wake-up call.
Sebastian Bach called one evening, as a friend – not an interview. They were off the road and in the studio, recording for what was to become “Slave To The Grind“. After the call I figured it was a “world exclusive” as they weren’t doing interviews at the time. So I turned the private call into a sensation article for the biggest music magazine in Sweden – OKEJ.
I felt horrible shortly after seeing it published, it was so wrong. Guess you don’t learn your lesson unless you’ve already screwed up. I talked to Baz about it after, apologized from the bottom of my heart. He took it a lot better than I had, to him it was just publicity and he was cool with it. However, I NEVER did that again, goddamn awful…!
If an editor in chief wants me to dig up the dirt on someone, to sell a few extra copies of a magazine, he can count me out. Find someone else to do it. I want to sleep at night with a clear conscience – I’m not in this business to be an asshole and I’m not in it for the money either. I got in it for the love of music when I was a teenager and to this day it’s still the sole reason why I’m still here.
I’ve seen and heard plenty of shit throughout the years (especially hanging with Skid Row in their heyday, you can imagine…) but I’ve deliberately left out the worst and juciest stories. Those I’m taking with me to the grave.
Everything is of course always subject to your own evaluation and judgement. I’ve written about stuff that I thought was funny or just as a piece of trivia, but nowadays I’m definitely not interested in remembering the eighties and nineties for the sake of causing a “sensation”.
Fuck that. It’s tasteless and greedy and it just shows that the people who write these books really have no morals whatsoever. Could be that the people they’re writing about are total pigs and “deserve” being exposed, but at the end of the day, it’s not about who other people choose to be. It’s who YOU choose to be. It’s always about oneself, not others.
It’s one thing to write your autobiography, but leave the nastiness out of it and don’t make decisions for someone else what should or shouldn’t become public knowledge. There’s already a Metal Sludge, the world doesn’t need more of that.
Marshall – 50 Years of Loud – a night we will NEVER forget!
Marshall – 50 Years of Loud….
Wembley Arena, London. Saturday night.
Guess it took me at least two days to have the whole thing kind of… “sink in”.
That show wasn’t even just a gig, I wouldn’t be able to sit here and review it – cause it was just way beyond that. It was MUSIC HISTORY IN THE MAKING. It was a once in a lifetime experience. I am so glad that I got a ticket (and such a great seat too) because I could probably never get over it if I hadn’t.
My main reasons for going were Yngwie and Paul Gilbert, long time heroes, both of them. But I also discovered artists that I thought I didn’t like. That evening they decided to show something else that I haven’t seen before, and I’m open for more in the future.
The greatest surprise of the evening for me personally, was Joe Satriani. Never been a fan really, don’t know why, I simply never got quite into his music. But of all the guitarists trying to outdo eachother that night, he was the only one who played (Always With Me, Always With You ) with such emotion, had us hear and feel the beauty of the guitar, the sounds you can get from that instrument… It was just so classy, so beautiful, I was in heaven. Amazing.
I had a few minor “heart attacks” during that Wembley show, like when Yngwie was presented and he made his rockstar entrance. The man IS an old-school true ROCK STAR, he is the GUITAR GOD of guitar gods, the embodiment of guitar hero, I mean…. I’ve admired that guy since I was a teenager pretty much. Met him, interviewed him several times but he never became a “normal person” to me, he always remained the Star, and I like that. Not too many have that quality. :-)
[One of my “heart attacks, Yngwie entering the stage!]
I simply love what he does. I hear people complaining about him being “too much”, playing too fast or calling it guitar masturbation, but I subscribe to his simple philosophy – More is more! Damn right it is.
I’m just not worthy. You hear that it’s Yngwie the second he plays his first note, you will never ever mistake him for anybody else. Nah, I’m lost for words. Oh and he tweeted out one of my videos of him this morning, which made me feel like a happy teenager, yeyyy right on!
Then, of course, there’s Paul Gilbert. The other guitar hero in my book. He’s the most unique rock guitarist I can imagine, basically because he’s got the groove, he’s got the sense of humor and he can be as nerdy and dorky as he damn well pleases, because nobody can do what he does. I’m sure it has something to do with his ridiculously long fingers, which I’m sure makes it easier to do a lot of the crazy stuff that he does.
Kind of like this pic – which might just as well have been Paul! :)

So, Paul walks out on stage with those headphones, joined by Drummer Extraordinaire Mike Portnoy and mrs Gilbert on keyboards – looking like any guy from the crowd… and just starts doing his thing. And you never want him to stop, the guy is simply brilliant!! He can do anything, yet he knows when to not get “too much”, it’s fun and impressive. Wow.
[Pardon my shaky filming, couldn’t decide on whether to watch through the camera or “irl”. :)]
I could sit here all night and just reflect on each and every artist and artist-combination that we saw that magical evening at Wembley, but there’s no point really. The best way to try soaking in the atmosphere and the GREATNESS of all these fantastic musicians playing together for the first – and probably the last – time, is to watch it for yourself – in these videos.
My favorite combo? Yngwie with Glenn Hughes and “the Whitesnakes” Doug Aldrich/Brian Tichy teaming up with Ripper Owens in “Slide It In” – THAT’s never to be heard in that version ever again…! :) Freaking COOL!
And – this might surprise a lot of people who know my usual taste in metal, but… I thought that this combination of Slipknot’s Corey Taylor kicking ass with Slayer’s Kerry King in the Pantera-classic “Mouth For War” was the most aggressive, cool and most METAL performance of the whole evening!
Just seeing all of those BEST OF THE BEST musicians teaming up, playing together – songs that they would never have a reason to play anywhere for any other reason – was so huge and so unbelievable, that I actually left the arena seriously thinking that if I got hit by a car, I would die happy.
I mean – watch this and you will understand. That’s all I can say. :)
So let me introduce to you…..! [Part 1]
The recording-project that we’ve been working on for the past few weeks is coming together. Laying down the vocals on Sunday, hopefully we’ll be done with the mixing and mastering very soon as well.
While that is still in the making, I’d like to introduce you to the guys that I chose for this project. :)
First out is guitarist
PETER ESPINOZA
[Pic by D.Qwarfort]
My story…? Well, let’s see.
The whole thing started way back in 1984 when I started the band SAD WINGS. We released an album on Ebony Records. (see video below)
I then went on to playing with my own band ESPINOZA until 1988 when I ended up as one of the contestants of the Swedish Guitar Battle.
I went straight to the finals, and I still remember that night. All the other guitar geeks were warming up backstage and I thought they all sounded so good that I wouldn’t stand a chance in hell.
So, I thought “fuck it” and went to the bar and got totally shitfaced.
Then by some miracle I went onstage and managed to play everybody’s pants off – I won the whole thing!
That’s when the guys of NASTY IDOLS first noticed me. They had another guitarist at the time, but then we met again at an Alice Cooper concert in 1989 and they asked if I wanted the gig. I was with them for about five years, played on Cruel Intention, Vicious, Heroes for Sale and Boys Town.
I quit the band for a while and focused on other things, released another album with my own band Espinoza in 1995 before I founded the (neo classical) band MAJESTIC.
Me and the keyboardist used to sit in his basement and just play totally sick stuff – you know, we wanted to kick the asses of Stratovarius and all those types of bands. We were constantly trying to outdo eachother, it was a great time! I don’t have any of those recordings anymore, but you can imagine – it was impossible listening to and if anyone wanted to try copying us, they would most likely fail.
Eventually we managed to write songs that people would actually listen to, and we sent them to musicians that we wanted to work with. Jake Samuel (ex-Talisman, current frontman of the Poodles) didn’t cut it back then, haha!
[Comment: However, current frontman of FIREWIND – Apollo Papathanasio did get through to the second lineup of the band and sang on their second album “Trinity Overture” (listen below) ]
In 2001 I recorded two albums with REPTILIAN before returning to Nasty Idols….and well, the rest is history.
[Review of Reptilian here: http://www.metal-observer.com/articles.php?lid=1&sid=1&id=1882 ]
YNGWIE…
If I’ve got any cool stories? Let me see. Well, we were touring with Yngwie Malmsteen and Yngwie was having dinner while we were doing our sound check. So, just to fuck with him, I started playing “Yngwie style” as a joke. After his dinner, he walked up to me and said:
– You make a damn good impression of me. You know what that means? That means you’re a good guitar player!
That was just too fucking funny!
And now? Well, we just released our new album with Nasty Idols (see video below) but I still enjoy doing side projects if someone interesting calls, like you just did with this thing.
Who knows what the future holds, it’s sure ain’t over yet! :)
AMAZING PERFORMERS – the best of the best
The times they are certainly a changin’.
The record industry is struggling with poor record sales and illegal downloads, but there is one thing that they can still cash in on, something that will never go out of style: The magic of LIVE SHOWS.
There are people in less famous bands and in local bands that “have IT” : that spark, that natural ability to work a stage and a crowd, that makes you come back for more time and time again. It’s not a competition and you can’t really compare musicians because they are all so different – it’s not the Olympics of Rock – but these are some of my personal favorites. Note that this is 100% a list of people who I think are outstanding LIVE PERFORMERS (which is not necessarily the same as favorite musicians or bands)
When this man walks out on a stage – he OWNS every single person in the crowd.
He has a unique quality of making every individual feel noticed and a part of the show. Although he is a larger-than-life rock star who works best on the biggest stages of the world, he always makes it feel like he’s playing just for YOU.
He mixes a sense of humor and self-distance with sex, confidence, authority and pure professionalism. Not to mention the way he moves on a stage like a rock’n’roll-emperor, using the micstand as his #1 tool. There is only one David – Coverdale be thy name. :)
When he’s about to hit the stage, he’s like a missile! The man oozes of pure, raw energy and rock’n’roll, nothing and nobody comes even close…! I’m not the biggest Twisted Sister-fan in the world, I don’t even have all their records, but watching this man on stage is a kick beyond belief! He is genuine and a real punch in your face.
If you could take everything that rock’n’roll is all about, and transform it into human shape – Dee Snider would be IT!
The ULTIMATE frontman. The one and only King of the Stage. The energy and the raw frenzy is beyond what I’ve seen ANY other artist produce on a stage – ever! He is the only frontman I can think of that was truly BORN to do this. If you took it away from him, he would languish, stop breathing, cease to exist. In 23 years I’ve only seen him suck ONCE. Don’t even ask how many shows I’ve seen with either Skid Row or Baz solo, but it’s more than enough to state that this guy is very unlikely to let you down if you’re looking for an action-packed show.
Entertainment personified. It’s enough to just mention the name David Lee Roth and people will immediately start thinking of a rock’n’roll strutter with his body as his main tool. He was THE sex-symbol back in the day, moving in a way that would make the ladies blush.
He would impress us all with the martial-arts high kicks while at the same time looking like a kid in a candy store who LOVES what he does. His sense of humor is contageous, and even to this day he hasn’t lost much of all that. He’s never been the world’s greatest singer, but it’s safe to say that he’s most definitely one of the world’s greatest entertainers!
Yngwie Malmsteen
The one and only ULTIMATE guitar hero – and probably the only one who turns a prolonged guitargasm into a show unlike anyone else! He was (and still is) WILD on stage!
Like a super-model, he will strike 30 different poses in one minute, yet continue playing that guitar like nobody’s business. How can you do all that running and posing and headbanging and still play making it look like a piece of cake??? The man is a guitar god and a top notch live performer in every sense of the word!
Those are my Top 5 live performers, but the list goes on – and on…
Joe Elliot of Def Leppard had an amazing charisma on stage, he just caught your attention from the word go and kept it there for as long as it took. I was mesmerized the first time I saw Def Leppard. Fantastic frontman. I don’t know what happened though, because the last few times I’ve seen Def Leppard, the magic wasn’t there. I guess there’s a peak in every band’s career and a fall – sooner or later. After 30 years of kicking ass on stage, I guess they are entitled to lose the spark.Same goes for my #1 hero Rob Halford (Judas Priest). He was never a “run-around-the-stage-like-a-marathoner” type of singer, but he had “IT”. All he had to do was stop and LOOK at his crowd and they would go freaking CRAZY! He just had what most entertainers don’t, it’s within your personality and he would make me forget that there was even a world outside whichever arena Judas Priest would be playing….
However, just like Joe Elliot, Rob Halford has lost some of his magic. I can still see it when he’s with his own band Halford, but it’s like he’s a parody of himself when he’s with Priest nowadays.There is a reason why this man has been on the top for more than 4 decades! It’s not because he’s Pavarotti, but because he has this wonderful way of truly loving what he does, just being OZZY.
Watch this and try NOT to smile! :-))
Speaking of Ozzy automatically leads me to another, fairly new, aquaintance and favorite performer: Gus G (guitarist w. Ozzy & Firewind, in case you’ve managed to miss it)
I was stuck after the first time I saw him with Ozzy. He walks onstage and becomes a true old-school Rock Star!
He owns the stage in a very natural sort of way, with a charisma that few “new” musicians possess. This guitar wiz handles Madison Square Garden just as well as the smallest, tiniest little dark club in the middle of nowhere.
The posing, the hair-fan, the guitar-hero moves all that stuff makes Gus a true arena-entertainer.
Another kick-ass live-performer is Kevin Rothney (Circle II Circle, JOP) who played bass with Jon Oliva’s Pain on the 2006-2010 tours, when I saw the band countless times.
Jon Oliva might be the songwriting genious, but Kevin was the one who brought rock’n’roll to the live performances of JOP.
I’ve always been impressed with Kevin. When you see musicians like that, you realize that the music business is all about being in the right place at the right time, there are amazing showmen (and -women) out there that don’t get the recognition they deserve.
Moving on to a more local level, where singer Andy Pierce (Nasty Idols) without question, makes it to my list of favorite performers. It was his natural talent as a frontman that made me notice the band in the first place – 25 freaking years ago! He was a real rock star before people even knew it and he will be till they have to roll him out on stage in a wheel chair!
PART TWO – THE BEST LIVE BANDS!
My Year In Rock – retrospect 2011 (part 3)
Geez, yeah I guess it’s been a pretty busy year. So, here’s the last part of the 2011-blog – part 3. :-)
I left Split, Croatia very early in the morning on October 1, think I got up around 4 am that day. With a stopover in Zageb, I landed in Copenhagen, Denmark early afternoon, took the train to Malmö, Sweden, went home, threw my suitcase in the hall, picked up my recorder and practically ran out the door while calling a cab on the way out because I didn’t want to waste any time on finding a parking space….
SEBASTIAN BACH visited Malmö, Sweden
Rockmässan in Malmö had a special guest: Sebastian Bach. He is an old friend, and I was glad that he finally came to my home town. He was glad to see me too, Baz is one of those people who I’ll probably be running into when I’m 80 somewhere in the world, and everything will be as if it was still 1989 and we just met yesterday!
[Baz and I 20 years ago… anything but sober, but definitely having a great time!]

And Baz and I – 2011 :-)
I had about a week off after the Baz-interview, living my “normal” life (whatever that is in my case…) before I got on a plane once again, and landed on the other side of the Atlantic – New York City. I just spent the first night at Hilton, then got on the first domestic flight to Tampa, Florida – a place I know very well, as I’ve visited it at least once a year for the past five years. It’s the home base of Jon Oliva’s Pain and a place where I’ve got good friends. Felt nice to be “home”.
FIREWIND kicked off their US-tour – and YNGWIE MALMSTEEN just kicked ass!
This time I rented a car and drove to a nice little hotel close to State Theatre where Firewind was kicking off the US tour. Much to my surprise, I found the guys of Nightrage staying at the same hotel. They were one of the opening acts on the Frets of Fury-tour. Really cool guys, drummer Jo played double duty on that whole tour – with Nightrage and Firewind, pheew! The guy is amazing though, he’s now officially the drummer of Firewind.
Singer Apollo was back for the US tour. Things back to normal for the FW-fans, in other words.
It was a tough tour for me though, dealing with a bad jetlag and very little time to get any sleep whatsoever, as I was flying from city to city three days in a row. Tampa – Atlanta and NYC. Zzzzzzzz…………
But once again – totally worth it! Here’s from the last Firewind-show I saw this year, at Gramercy Theatre, NYC:
Two weeks now, until I see these guys again, in Bob Katsionis’ (mr keyboard player) home town Athens. :-)
Anyway, after the three Firewind-shows, I stayed in New York an extra day because another one of my favorites was playing – the one and only YNGWIE MALMSTEEN! I havent seen so many people show up for a club gig in ages! One of the guys in front of me in the long line just said: “There are a lot of guitarplayers in New York City”.… No shit. :-)
Fantastic evening, Yngwie was my big idol in the 80’s and he still kicks ass! I filmed pretty much the whole thing – here’s from that show:
A classic guitar hero, how can you not love this man?! :-))
WRAPPING UP 2012 WITH WHITESNAKE AND THREE GIANTS IN THE UK
That was mid-October…. jumping straight to November and the WHITESNAKE-gigs. That wasn’t too long ago, so if you’ve followed this blog you’ve already read all about it. Whitesnake is probably the ONLY band I haven’t grown tired of. I could see them over and over and over again – and I HAVE for years. If you want the best of the best, go see Whitesnake. I just love everything about that band, so sue me. :-)
Another great thing is meeting new, cool people – Whitesnake-fans are super-nice. Three ladies that I met up in Kristianstad also came to Vega in Copenhagen and we shared a cab home in the middle of the night. I’m sure I’ll see them around somewhere as soon as there’s an interesting concert around here again. :-)
Last but not least…. Went to London/Manchester with my friends to see Def Leppard, Mötley Crüe and Steel Panther at MEN Arena. Steel Panther stole the show, no doubt about it. But Tommy Lee’s drum-solo and Nikki Sixx‘ Happy Birthday-singing crowd wasn’t half-assed either. :-)
That pretty much sums it up. It’s definitely been an interesting year and I’m convinced that 2012 won’t fall too far behind…! I’ve already planned a few things (check “My Concert Dates 2012” – maybe I’ll see you out there somewhere!).
Black Sabbath reunited, probably the first and the last time I’ll see THAT, and it’s going to be absolutely amazing. I know what they can do, separately (seen Sabbath a number of times when Tony Martin was fronting the band) and Ozzy solo, I have a pretty good hunch what they can do when they let the MAGIC begin!
Not to mention VAN HALEN hitting the road in 2012….! Holy shiiiit!
But first…. January with Firewind in Athens and Steve Stevens / Sebastian Bach in New York City. The rest will come as I go along… :-)
I hope you all had a wonderful 2011 too and I wish you all an even better 2012! :-))
HAPPY NEW YEAR 2012!!!!!
