Greed, betrayals – scandalous biographies

Reading one of our Swedish tabloids…. On today’s news is the Swedish king’s former mistress from the pop act Army of Lovers – Camilla Henemark, also known as “La Camilla“. 

Nobody gave a fuck about her for years. Now she sees her opportunity to get her ass back in the spotlight with the help of an autobiography where she exposes every celebrity that she’s somehow been “involved” with.

It’s been all over the news because she supposedly had an affair with the king of Sweden – and now she’s giving us the details – woo hoo. They were throwing sushi at eachother, rolling around on the floor, whatever whatever. Too much info. 

 

My question is… Why do I need to know this? To me it’s just as uncomfortable as listening to a stranger’s private conversation on the bus. It’s none of my business. Your food-fights are between you and the other person. whether it’s your neighbor or the King of fucking Sweden.

Why is this considered useful information for anyone else – at all? All this nasty crap is beginning to bug me. La Camilla is far from the first or the only one who’s done this. 

Another one that comes to mind is a Swedish rock journalist who I used to admire and look up to when I was a teenager. I’m not so sure that the respect I once had is so intact anymore.

A while back he wrote his memoirs – and made sure to include all the dirt and nasty details he could think of about the “rock stars” he had gotten close to throughout the years.

When asked about it, he said that it’s all cool, he had asked all the exposed artists if they were okay with it and according to him they’ve all been absolutely thrilled about being hung out to dry.

So, he’s basically cashing in on the fact that he’s been a part of the industry and was lucky enough to see and hear all those “juicy” things. It’s of course HIS choice how he chooses to portray himself, but how much of a choice was it for the people mentioned in the bio?

Now he’s written an unauthorized biography about Yngwie Malmsteen, kind of saying that it’s the only way to get “the truth” as Yngwie himself doesn’t like NOT being adored.
Well – that last part I actually do believe, because Yngwie is kind of “special” that way. :) 

The point that I’m gettig at here is that it’s become a trend to expose other people for your own benefit.

It’s been done many many times, especially by groupies whose only claim to fame is that they’ve fucked guys who managed to do something with their lives and got famous for their music. So – a blowjob or a few orgies is all it takes to make a groupie a celebrity. Easy.

People haven’t evolved since they were cheering at gladiators killing eachother in a ring or watching witches being burned at the stake.

Someone else’s misery is enjoyable to so many. As much in 2012 as in 2012 B.C.

Groupies are one thing, seems that some of them are only doing it to get themselves a bit of the spotlight (although, I see a big difference between the “old school” groupies such as Pamela DesBarres or Bebe Buell and the modern groupie chicks ). 

But… when it comes to people who have been close to a band – such as managers, crew people, girlfriends, wives, journalists…. To me it feels like it’s an unwritten rule that if you’re part of the circus, be cool about it for christ’s sake. It’s like any other kind of friendship – where’s the loyalty and the integrity when you go public with the things you’ve seen when being a part of the rock’n’roll package??

That old saying “Whatever happens in Vegas, stays in Vegas” is a rule that applies to the world of music as well. Whatever happens on tour….

None of these “authors” would like their own dirty laundry on display – the difference is that the celebrity can’t hit back with the same weapon, because nobody gives a shit about….a nobody. 

It’s an abuse of power that’s really disturbing, when people who have had the opportunity to get to know someone in the entertainment-industry, suddenly decide to dig out all those secrets that were supposed to be kept private – and turn it into public entertainment.

I’ve been betrayed by friends, people I trusted, and it’s a horrible feeling. For most of us it doesn’t become public knowledge. As a celebrity you’re always risking that. It blows when some make rock stars or movie stars targets for these “reveal it all” sort of books. It’s fucking crap and I lose respect for the people who do it. They would sell their mother if they could benefit from it. 

This might be a stupid example because it’s on a totally different level than the Yngwie or the “I screwed the king”-thing, but two years ago I had an idea to write a book about the time spent with Jon Oliva’s Pain. It was supposed to be something from a different perspective as I’m not a groupie so it would be written from an angle that people might not be used to.

But after maybe 50 pages or so, I gave up. It just didn’t feel right. Where do you draw the line between privacy and what’s okay to expose in public?

These people welcomed me into their life on the road, shared whatever was theirs with me – food, bus, whatever, and most of all, they always welcomed me with open arms everywhere. And most of them are still my friends. 

Not that there was any “Motley Crue” sort of dirt to expose, but just in general – what would they be cool with and what would be stepping over boundaries…? It wasn’t as obvious as I had thought when I first began. I just ditched the whole thing.

I’ve written about “rock stars” for 25 years now. I admit that I made some mistakes, especially when I was younger, because I was so eager to build myself a career and show that I was as tough as the journalists I thought were cool at the time. I wanted to get to the top, no matter what.

I was thrown into this crazy circus as a teenager and was schooled in the world of tabloids. Whatever made a good story was okay, no matter who you hurt in the process or how much of an ass you had to be to get the scoop. I used to think that was true. I don’t anymore and I haven’t for many years.

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This (article above) from the early 90’s was my wake-up call.
Sebastian Bach called one evening, as a friend – not an interview. They were off the road and in the studio, recording for what was to become “Slave To The Grind“. After the call I figured it was a “world exclusive” as they weren’t doing interviews at the time. So I turned the private call into a sensation article for the biggest music magazine in Sweden – OKEJ.

I felt horrible shortly after seeing it published, it was so wrong. Guess you don’t learn your lesson unless you’ve already screwed up. I talked to Baz about it after, apologized from the bottom of my heart. He took it a lot better than I had, to him it was just publicity and he was cool with it. However, I NEVER did that again, goddamn awful…!

If an editor in chief wants me to dig up the dirt on someone, to sell a few extra copies of a magazine, he can count me out. Find someone else to do it. I want to sleep at night with a clear conscience – I’m not in this business to be an asshole and I’m not in it for the money either. I got in it for the love of music when I was a teenager and to this day it’s still the sole reason why I’m still here.

I’ve seen and heard plenty of shit throughout the years (especially hanging with Skid Row in their heyday, you can imagine…) but I’ve deliberately left out the worst and juciest stories. Those I’m taking with me to the grave.

I was there because someone trusted me and enjoyed my company as a friend. And regardless what happens, that’s what I’ll remain. A friend doesn’t go writing books about things that were once said or done in confidence.

Everything is of course always subject to your own evaluation and judgement. I’ve written about stuff that I thought was funny or just as a piece of trivia, but nowadays I’m definitely not interested in remembering the eighties and nineties for the sake of causing a “sensation”. 

Fuck that. It’s tasteless and greedy and it just shows that the people who write these books really have no morals whatsoever. Could be that the people they’re writing about are total pigs and “deserve” being exposed, but at the end of the day, it’s not about who other people choose to be. It’s who YOU choose to be. It’s always about oneself, not others. 

It’s one thing to write your autobiography, but leave the nastiness out of it and don’t make decisions for someone else what should or shouldn’t become public knowledge. There’s already a Metal Sludge, the world doesn’t need more of that.

 

Back to normal

Just remembered that if you’re only following this blog by subscription (or “manually”) and not through Facebook (http://www.facebook.com/InTheRearviewMirror ) or Twitter (@lita77777 ) I forgot to mention that the past few weeks I’ve been updating from the Firewind tour in the other blog:

http://firewindtour.posterous.com/

I’ve had a wonderful time, although exhausting – ended up at the doctor after the tour for exhaustion. Apparently, it’s not good to not sleep and then keep yourself awake on energy-drinks and caffeine gum, and then not drink water or well… eat?! Who knew?? :)

So, after a few weeks of doing that, my body was pissed off at me. But everything is back to normal and I’ve still got a smile on my face, it was great!

Everything is either in the Firewind-blog, photos on the Facebook-page and videos – looots of videos, on my YouTube-channel: http://www.youtube.com/user/Lita77Swe 

and…not to be missed (haha!):

So – things are back to normal for a few weeks at least, then it’s time for Steel Panther. Also, the last part of the presentations from my recording project is coming up, only one guy left – bassist Henrik, also known as “the camera man” who’s been filming all my video interviews the past two years. A versatile guy indeed! Stay tuned for that.

 

Marshall – 50 Years of Loud – a night we will NEVER forget!

 

Marshall – 50 Years of Loud….

Wembley Arena, London. Saturday night.

 

Guess it took me at least two days to have the whole thing kind of… “sink in”. 

That show wasn’t even just a gig, I wouldn’t be able to sit here and review it – cause it was just way beyond that. It was MUSIC HISTORY IN THE MAKING. It was a once in a lifetime experience. I am so glad that I got a ticket (and such a great seat too) because I could probably never get over it if I hadn’t. 

My main reasons for going were Yngwie and Paul Gilbert, long time heroes, both of them. But I also discovered artists that I thought I didn’t like. That evening they decided to show something else that I haven’t seen before, and I’m open for more in the future.

The greatest surprise of the evening for me personally, was Joe Satriani. Never been a fan really, don’t know why, I simply never got quite into his music. But of all the guitarists trying to outdo eachother that night, he was the only one who played (Always With Me, Always With You ) with such emotion, had us hear and feel the beauty of the guitar, the sounds you can get from that instrument… It was just so classy, so beautiful, I was in heaven. Amazing. 

I had a few minor “heart attacks” during that Wembley show, like when Yngwie was presented and he made his rockstar entrance. The man IS an old-school true ROCK STAR, he is the GUITAR GOD of guitar gods, the embodiment of guitar hero, I mean…. I’ve admired that guy since I was a teenager pretty much. Met him, interviewed him several times but he never became a “normal person” to me, he always remained the Star, and I like that. Not too many have that quality. :-)

[One of my “heart attacks, Yngwie entering the stage!]

I simply love what he does. I hear people complaining about him being “too much”, playing too fast or calling it guitar masturbation, but I subscribe to his simple philosophy – More is moreDamn right it is. 

I’m just not worthy. You hear that it’s Yngwie the second he plays his first note, you will never ever mistake him for anybody else. Nah, I’m lost for words. Oh and he tweeted out one of my videos of him this morning, which made me feel like a happy teenager, yeyyy right on!

Then, of course, there’s Paul Gilbert. The other guitar hero in my book. He’s the most unique rock guitarist I can imagine, basically because he’s got the groove, he’s got the sense of humor and he can be as nerdy and dorky as he damn well pleases, because nobody can do what he does. I’m sure it has something to do with his ridiculously long fingers, which I’m sure makes it easier to do a lot of the crazy stuff that he does. 

Kind of like this pic – which might just as well have been Paul! :)

So, Paul walks out on stage with those headphones, joined by Drummer Extraordinaire Mike Portnoy and mrs Gilbert on keyboards – looking like any guy from the crowd… and just starts doing his thing. And you never want him to stop, the guy is simply brilliant!! He can do anything, yet he knows when to not get “too much”, it’s fun and impressive. Wow.

[Pardon my shaky filming, couldn’t decide on whether to watch through the camera or “irl”. :)]

I could sit here all night and just reflect on each and every artist and artist-combination that we saw that magical evening at Wembley, but there’s no point really. The best way to try soaking in the atmosphere and the GREATNESS of all these fantastic musicians playing together for the first – and probably the last – time, is to watch it for yourself – in these videos.

My favorite combo? Yngwie with Glenn Hughes and “the Whitesnakes” Doug Aldrich/Brian Tichy teaming up with Ripper Owens in “Slide It In” – THAT’s never to be heard in that version ever again…! :) Freaking COOL!

And – this might surprise a lot of people who know my usual taste in metal, but… I thought that this combination of Slipknot’s Corey Taylor kicking ass with Slayer’s Kerry King in the Pantera-classic “Mouth For War” was the most aggressive, cool and most METAL performance of the whole evening!

Just seeing all of those BEST OF THE BEST musicians teaming up, playing together – songs that they would never have a reason to play anywhere for any other reason – was so huge and so unbelievable, that I actually left the arena seriously thinking that if I got hit by a car, I would die happy.

I mean – watch this and you will understand. That’s all I can say. :)

 

 

50 Years of Loud – the Marshall tribute at Wembley Arena last night

I made it to W.A.S.P – 30 Years Of Thunder at HMV Forum in London!

W.A.S.P played in London, the same day that I arrived last night, and I had no idea…! This is what happened:

During my lunch break, I logged into my Facebook account and accidentally saw it – “30 Years of Thunder” so I clicked on it and realized that it was in London, and uuuuh, I was on my way there for the 50 Years of Marshall-thing.

I went to Ticketmaster to check times, tickets, prices…. Only to find out that the whole thing was sold out. What?! I haven’t heard of a sold out show in ages! But I decided to go to the venue anyway, there’s always someone outside selling tickets, I might get lucky.

Then, while I was killing time at the airport later that evening, I got a message from Jon Oliva’s former drum tech, who had noticed my status update: “Say hello to Chris from me!”

That’s when it hit me, I probably knew someone on this W.A.S.P-tour. Chris, I never thought of that. Last time I saw him he was out with Doro, but yes he was with W.A.S.P a few years ago too, now that someone mentioned it.

I didn’t have his contact info, so I thought it didn’t matter, if I managed to get into the show, I’d go and say hello to him, always good to see a familiar face!

And then – while I was standing in line to board the plane, it dawned on me that my friend “Mommypig”, Oliva’s former tour manager, knew Chris. So I texted her to ask if she knew how I could get in touch with him, because the W.A.S.P show was sold out and I was on my way over to London.

She said she’d see what she could do and get back to me. I received her last text seconds before takeoff when we had to switch off “all electronic equipment”! :)

By the time I landed in London, two hours later, there was a text when I switched on my phone again: “Guest list is confirmed for you. Have fun!”

I could have hugged the WORLD at that point, was so relieved and so happy! 

So now, the race was on to make it to the show on time. Thank god for GOOGLE! I had printed directions so I raced through the airport, one of those “excuse-me-excuse me-excuse meee!”-sort of zig-zag walks and got on the Stansted Express within minutes, a combination of luck and determination.

After a train ride and two subway changes, and a walk, I finally got to the venue. All sweaty after the run, I checked in at the guest list booth. The girl smiled and said “Hello Daniela, yes you’re on the list, welcome!”

I MADE IT!!

The Beatles-song “With a Little Help From My Friends” came to mind. I wouldn’t be here if it wasn’t for the lucky circumstances and good friends. The place was PACKED and I mean….PACCCKKKEDDD!!!

I couldn’t see shit, I didn’t know where I was going, I didn’t know where the stage was, all I could see was PEOPLE and beers everywhere. I finally located the stage. I’m not kidding when I say that there was no spot a-n-y-w-h-e-r-e in there that didn’t have someone standing there, forget the usual “I’ll just squeeze my way through”. No way you could squeeze in anywhere.

I wanted to say hi to Chris but he saw me and shook his head, to let me know he had no chance in hell to communicate, it was nuts over at the merch as well.

Well, I don’t know if some high rock’n’roll forces like me or what, but I had ended up behind a bunch of really tall guys and suddenly they all left to go get more beer – and I found myself standing right behind the wheelchair section with a perfect view!! :)) And nobody pushing me. I heard angel choirs at that point – “hallelujah!”

And so the show began. Oh my GOD. W.A.S.P has always been a brilliant live-band. I’ve seen them many many times through the years and they always deliver, you can be sure of that. I don’t even care if Blackie is “helping things along” nowadays with pre-recorded vocals here and there, as long as it’s nicely done, I don’t care.

It was like a machine gun just shooting out all the hits that we love, one after another, framed by this really cool stage set, three big screens showing the classic videos in the background while the band was performing the songs live.

I was happy to hear one of my favorites, the old ballad from the first album “Sleeping In The Fire”.But you got all the other stuff too, I Wanna Be Somebody, Forever Free, The Idol, Blind In Texas, The Torture Never Stops, Hellion – whe whole razzamanazz! :))

The crowd was in ecstasy, the guy next to me was crying! During the short break, before “part two” of the show continued, he told a girl standing next to him that he had had a tough childhood and when he was 15 he heard “The Idol” which changed his whole life and he kept telling her that he owes W.A.S.P so much for turning his life into something positive with their music. Wow, that was amazing. And then you have religious nuts telling people that heavy metal kills. I would say that in more cases it saves.

Anyway, the show was packed with explosive energy where all you remember is Blackie’s intense, piercing look and Duda’s bass-pirouettes – accompanied by Mike Dupke’s KILLER drums and the cool riffs from Doug and his blinking and spinning special guitars. But then they went onto the more dark and gloomy side of W.A.S.P where you had to watch and listen to political and religious messages and watch really depressing videos on the screens (from the crimson idol story). I don’t know, it totally killed the mood.

People even started leaving. I can see why Blackie doesn’t want to live in the past and I understand that he wants to show where he’s at now as a person and an artist, but on a Friday night in London, in a packed arena, it might not be the most perfect time or place for that. People wanted classic W.A.S.P, not be reminded of the shitty reality of things. Music to many people, including me, is escapism. You just want a bit of fun during the one or two hours that you spend in a sweaty crowd. 

Anyway, after maybe 20 minutes of gloom (good music, intelligent thought behind it all, don’t get me wrong, it just simply didn’t fit into the party-setting) they finally turned the heat back on.

When W.A.S.P is good – they aren’t just good, they are… outstanding. Kicks everybody’s ass. 

I’m so glad I heard about this gig in the last minute, I guess that piece of crap Facebook-thing can be good for something sometimes. :)

I waited till the place had cleared, to say hi to Chris. He was totally drained. “This is only the beginning, we don’t get off the road until December…!” I could tell that it was good business but also VERY demanding.

Was good to see him, I left HMV Forum to grab a cab back to my hotel at Wembley. Today it’s GUITAR HERO TIME! 

It’s almost unreal, I can’t believe that I’ll get to see Yngwie AND Paul Gilbert, two of my absolute favorites, on the same stage, the same evening! A moment in music history, for sure!

Stick around for more!

(took a few simple phone pics last night but this piece of shit hotel Wi-Fi doesn’t allow any uploads so…. later!)

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