2015 left the building a few hours ago (here in Sweden) and when I look back, the “slow year” I thought I had, because of the upcoming cruise that made it harder, financially, to travel all over the place – was in fact less boring than I felt it was. ;)
MARCH: The year started out with the GUS G tour he did in early March (with JEFF SCOTT SOTO as special guest) that I was doing PR for, so lots of work there but was nice to make myself useful as a professional this time.
The month before that, FEBRUARY, I also went to see his former bandmate APOLLOin Halmstad, Sweden, doing a cover gig with “TRIBUTE TO DIO” an all-star band. Great evening.
BRYAN ADAMS played at Forum in Copenhagen, an unforgettable experience and a last minute-decision to go.
Went for a short visit to Detroit to see my friends from MADAM X, hear some new music and also catch a gig with MICHAEL ANGELO BATIOat the Diesel.
APRIL: I didn’t stay away from Detroit that long, cause in April I was back there again – this time for the MADAM X gig with AUTOGRAPH and KOUGARAN, also at the Diesel. Great gig, great evening!
That same month – April – took me all the way to Sao Paulo, BRAZIL, for the MONSTERS OF ROCKfestival. I went to see OZZYsolo but ended up being absolutely floored by YNGWIE MALMSTEEN and UNISONIC!
Other bands that played were Judas Priest, Manowar, Primal Fear, Kiss, Motorhead (Lemmy cancelled, Sepultura filled in), Steel Panther, Rival Sons, Black Veil Brides and Accept.
MAY: After that gig in Brazil, in April – I had to see MORE, so I got on a plane to Bucharest, ROMANIA, to see the Maestro: YNGWIE MALMSTEEEN. Bucharest was a fantastic surprise, I loved that city and will go back as soon as I get a good reason. :)
JUNEwas, as usual SWEDEN ROCK FESTIVAL-time and my personal highlight was meeting IAN HILL of JUDAS PRIEST for an interview after the press conference.
Right after Sweden Rock, literally the day after the festival ended, I got on a flight to the US again, this time to Florida to do a studio report with TSO (Trans-Siberian Orchestra): Met up with PAUL O’NEILL, JON OLIVA, AL PITRELLI, KAYLA REEVES and JEFF PLATE. Were there for two days with a non-stop busy schedule, but very very interesting and most of all, was glad to see The Mountain King again! :D
BILLY IDOL played in Varberg – HARDCORE SUPERSTAR opened on a great summer day, very cool outdoor venue.
JULYwas a non-metal month, but cool gigs nevertheless. LADY GAGA with TONY BENNETT at Tivoli Gardens (amusement park) and ELTON JOHN same place, two days before.
AUGUST: ROB ZOMBIE, Vega, Copenhagen. I was supposed to see him again at a festival shortly thereafter but cancelled because one of my best friends was getting married. One of few good reasons to cancel plans of going to a show. :)
SEPTEMBER: GUS G came back to Scandinavia, this time with KOBRA AND THE LOTUS and KAMELOT in Copenhagen and Gothenburg. Kobra and the Lotus was a nice surprise, didn’t like them on record, but enjoyed the shows!
W.A.S.P with opening act DYNAZTYplayed in my home town Malmo later that month, met up with my friend Taz(lights for W.A.S.P), which is always a pleasure! :D
OCTOBER: No gigs. Ended up in the hospital for an emergency appendix surgery and was told to keep still for a few weeks. So I did. Kind of.
NOVEMBER: WHITESNAKEplayed in Denmark with openers DEAD DAISIES. The place was packed. Mostly remember the hassle with the backstage passes, those things can be a pain in the ass and never worth it.
Anyway – later in November, I took a little trip over to Detroit again to see the MADAM X boys and girls and listen to some new songs from the upcoming album in the studio.
Producer Kevin said I should go see the band POP EVIL and pulled some strings to get me in on the guest list – on the worst day of the year…! It was snowing like crazy that evening, but in the end it was a good choice, I liked the opening act KALEIDObetter than the headliners, to be honest. :)
A friend, Maj-Louise, “kidnapped” me on a spontaneous trip to Gothenburg for a meet-and-greet with TOBIAS SAMMET of EDGUY& AVANTASIA, and listening party of the new Avantasia album. Also playing that night was HAMMERFALL.
And in DECEMBER, I had two busy weekends visiting Dublin and Birmingham for WHITESNAKE/DEF LEPPARD/BLACK STAR RIDERS. :D
So I’m not sure the year was a total disaster, it turned out pretty good after all. :)
And now…
I was sitting on Facebook scrolling through the usual buzz… at 2 am in the morning. When something caught my eye. “Is it true that Lemmy is dead?” someone asked. I shook my head with a little smile thinking that it had to be the usual rumors, of COURSE. Lemmy just turned 70 on Christmas eve, surely he was very much alive. Right?
Then it started pouring in. Eddie Trunk, Ozzy, Sharon Osbourne, Blabbermouth and then EVERYTHING and EVERYONE, it spread like wildfire. There was no doubt about it. Lemmy has left us.
We’re losing our icons one by one… and I shouldn’t be surprised. In a way we should be more surprised he survived as long as he did with the lifestyle he chose for himself. But I still react with disbelief, it takes a long time to fully UNDERSTAND it.
Lemmy is not just another musician. He’s not just another rock star. He was the most authentic symbol of true badass rock’n’roll there ever was – he LIVED it, BREATHED it, his whole persona WAS rock’n’roll! He dedicated his entire life for it and became the symbol of rock for every single person on the planet who ever loved the lovely dirtiness of rock’n’roll. Always outspoken, never afraid of anything, not even death itself.
It’s going to be all over the place now. But I still won’t be able to quite take it in. Some people are just NEVER supposed to die… They’re above all that. I couldn’t believe it when Dio passed away and I took it so personal, it hurt like I had lost a family member.
I may not have been the biggest Motorhead fan on the planet, but Lemmy was so much more than Motorhead, it’s a very sad day….
His name, music and spirit will remain immortal. It’s just his body that gave up. Continue to raise hell Lemmy, I’m pretty sure there will be no rest on the other side now. Thank you for being such a badass and inspiration to us all while you were among us. And see you soon…
Facebook really gives you a window to the world in a sense. Only this morning I saw that two of my childhood “semi-idols” from Croatia and ex-Yugoslavia, were still active and on tour. One of them made it all the way to the States, the other one is coming to Sweden next year. I’m so going, never had much chance to see those artists live and I always appreciated their music. The times ARE truly changing! Those artists were STUCK in Croatia/Yugoslavia back in the day, the world is opening, music is spreading and it’s a fantastic thing. :)
My parents were from Austria (mom) and Croatia (or, it was called Yugoslavia back then. That’s where my father was from). So, I grew up listening to music from those countries when I was little. Both my parents loved music and both had good voices. My mother wasn’t even aware that she was humming everywhere, no matter what she was doing.
And I’ve always thought that that music was special and had a passion that was difficult to translate to those who didn’t understand the language. The lyrics in Croatian music are like beautiful poetry, if it has to do with the language having more nouns or just a richer way of expressing emotions and things, I don’t know. But I remember even at an early age, that I thought it was unfair that the rest of the world would never get to enjoy some of those artists and bands. No musicians ever got famous outside of Yugoslavia back in the communist days.
I had my favorites, and some songs I wanted to translate to English and perform with m band when I was a teenager, but I gave up because it just didn’t sound as good in English, the essence of the lyrics got lost in translation somehow.
What strikes me NOW, when I listen to some of those artists that I remember dad used to buy on cassette or vinyl from the only label there WAS back then, “Jugoton”, are still active, and they still have AMAZING powerful voices, that haven’t aged at ALL.
I don’t know HOW the hell they DO it, but there’s some true talent there that will never leave the country, just remain a national treasure. :)
I thought I’d share some of those. It’s not necessarily just rock/hard rock. Some of it is pop or some other genre that I’m not sure of, but good music is good music, and good musicians and vocalists should get credit, regardless the style.
Let’s go WAY back in time.
I’m just going to take the liberty of stealing some facts straight from Wikipedia:
“Bijelo Dugme (trans. White Button) was a Yugoslav rock band, based in Sarajevo. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene.”
This was the song that my dad used to play at home, and probably one of their greatest hits, Tako ti je, mala moja, kad ljubi Bosanac” (“That’s How It Is, Baby, When You Kiss a Bosnian“)
And then – live years later:
I still think this is a cool song. :)
MOVING ON…….
These guys have probably never done a bad song in their entire career…! A very distinct voice that sounds like no other, full of emotion, he’s fantastic!
I used to buy their records whenever I was on vacation in Croatia, I still enjoy listening to them. Very competent band. More info, taken from Wikipedia, right here:
“Parni valjak (pronounced [pâːrniː ʋǎːʎak]; Croatian: ‘steamroller’) is a Croatian and former Yugoslav rock band. They were one of the top acts of the former Yugoslav rock scene, and currently one of the top rock-and-roll bands in Croatia.”
Okay, back in time again…. :)
This guy had one of the coolest rock voices ever. I still think the dude rocks, what a “grater” voice, just the way I like it. :)
Info taken from Wikipedia:
“Seid Memić, known by his stage name Vajta, (born 8 March 1950) is a Bosnian singer and the vocalist for the Yugoslav rock band Teška industrija [“Heavy Industy”].
From 1975 to 1976 Vajta was a vocalist for Teška industrija, who enjoyed great commercial success throughout the Balkan countries but later dissolved.”
This is old, but check out that voice. :)
I’ll just add one more, because THIS song, that follows, was the one I spent months trying to translate into English, because I really loved it. But I gave up, it just wouldn’t have done it justice, it was better to keep it as it was:
THIS guy… My dad used to be away for months to take care of his parents in Croatia, and when he came home, he always brought presents. Among those presents, there would ALWAYS be records! :D This guy, Zdravko Colic, was super popular and his popularity hasn’t decreased through the years, quite the contrary. He’ll be visiting Sweden next year, and from what I’ve heard on Youtube, eventhough he’s 64 years old now, he’s still got one HELL of a voice!
Back in 1970, he started his career playing covers of Led Zeppelin, Blood, Sweat & Tears, Creedence Clearwater Revival, but as years went by, targeting a more mainstream audience:
And the LAST dude…. Well, he was cute as a doll back in the day, my young self had a little crush on him I think. :) But an incredibly talented musician, probably one of the best in the country. He’s from Split, my dad’s home town, and my aunt knew his mom or whatever – in that city, all the older folks know eachother!
Anyhoo, when I was in Florida a while ago, the guy who made the arrangements for the TSO-interviews, Wolfgang from Germany, mentioned some guy named Gibonni, who was doing a tour of USA and Canada. Could it be the same guy?! It was. It’s 2015 and he finally made it across the pond. :D
Here he is – Gibonni, a rocker guy who turned mainstream, but can write songs like nobody else. :)
WIKIPEDIA:
“Born in a family with a strong musical tradition (his father, Ljubo Stipišić, was a well-known composer), Zlatan Stipišić, who later embraced the nickname Gibonni, began his career in the 1980s with the heavy metal band Osmi putnik. After the group disbanded, Stipišić joined Divlje jagode, recording few demo tapes before disbanding.
Gibonni started his solo career in the 1990’s with songs that combined elements of rock, modern pop and Dalmatian folk songs. He soon created a huge following, especially among Croatian youth. Gibonni’s popularity continued to grow beyond Croatia and he is currently one of the most popular and influential musicians in the territories of former Yugoslavia.”
A young Gibonni, early 90’s:
And just last month, performing in Los Angeles:
Lastly…. this band was recommended to me by a musician the last time I was in Split, Croatia – a very cool video and very original style. Check it out:
First “gig trip” in a loong while. It’s a strange situation for me, as I’m used to being out there on a regular basis checking out bands all over the planet. This year, however, I’ve had to restrict it for financial reasons, as I’ve chosen to go on the Monsters of Rock Cruise 2016, which is a bit more costly than my usual trips.
So anyhow, Gus G is in Scandinavia. He’s playing Oslo, Norway tonight and then continues on to Stockholm the day after. Oh yeah – the headliners are Kamelot, and the other guest act is Kobra and the Lotus. But you know me – I’ve been following Gus G’s work for several years now, so it’s not like I’m giving up on that anytime soon.
First stop was in Rodovre, Denmark, at the venue “Viften”.
I heard that there was a sound check in progress, and it was a pretty nice day so I just decided to hang outside for a while until I saw a familiar face. People were walking in and out of the stage door so it probably wouldn’t be long until someone would show. I could have texted, but there’s no point doing that when it’s obvious that everybody’s busy.
A guy on a motorbike drove up to me and said hello in such a friendly way that I asked him if we knew eachother. “No, but I recognize you. You’ve been to all the Gus-shows I’ve been to, at Rockmässan and [some other place I don’t remember]”.
Apparently I’m becoming a familiar face to Gus-fans, I can’t imagine how that happened. ;)
He was an Ozzy-collector and had bought a guitar lesson with Gus. – I don’t actually play guitar. But I thought maybe he can inspire me to start!
That was the best motivation ever.
The guy drove off, said he had to take a shower so that he was nice and fresh for the lesson, haha! I went to the parking lot behind the venue, was trying to pick up a better WiFi signal, when I saw a familiar character all dressed in black, with sunglasses and everything. There was Gus, on his way to do a few errands. Talk about perfect timing.
After the quick errand-round, back to the venue and the sound check. It was really nice to see everbody again, although I think I suffer from tunnel-vision sometimes. Almost tripped over bassist “Strutter” and didn’t see it was him until he said “Hello Daniela!”
On the stage there was Jo (Nunez, drums), Markus (tech, merch) and Henning (Basse, vocals). Jo came down to have a quick chat, and also introduced me to his old Nightrage-buddy Bill Hudson, who is on this tour playing guitar with Kobra and the Lotus. You might also have seen him with Circle II Circle, TSO, JOP…)
I do know who he is very well though. Being in that whole Savatage-family, you tend to recognize people, even if you haven’t actually talked to them before. But what I remember the most about Bill, has nothing to do with his playing.
It’s something from the MySpace days, where he wrote this very intense diary/journal thing (this was before the word “blog” was used) about a transformation in his life, where he decided to make a big change, from something very negative and destructive, to something positive and more fulfilling.
It was so well written and so straight from the heart that I still remember it all these years later.
I was just sitting there watching the preparations and the sound check of Gus and Kobra and the Lotus, when I felt the smell of food. Catering-time for the bands. That’s usually my personal signal to get the hell out. If I’m not on the payroll, I have no business there when the bands are getting their dinner of the day. I rarely stick around for that – I did on the last tour, but then I was actually a part of the crew in a sense.
So I went outside. And I didn’t get back in until the doors opened for the public.
Kobra and the Lotus were first out. A very competent band, they know their craft, all the guys individually and collectively – and Kobra herself is a powerful front-woman. In all honesty, their music isn’t my cup of tea and it’s not what I personally would be listening to at home, but I did enjoy their performance and I think she is a genuine and charismatic band leader. Respect.
After a quick changeover, it was time for Gus G. It was cool to see that there had been some pretty big changes made in the setlist, which is awesome cause after seeing a zillion Gus-shows I know most of the little details and when they occur in the show. I couldn’t forsee anything this time and I loved it.
And the Belgian powerhouse Jo Nunez behind the drums has always impressed me, but the interesting thing is that he gets better every time. I remember when he first joined, he was a great drummer from the very beginning, but he was a talented boy who was pretty invisible behind his drumset. NOW – he’s this wild dude with the mohawk, SLAYING those drums with extreme, Swiss clockwork-precision! He’s absolutely amazing. :)
Gus himself has always impressed me. Watching his fingers during a solo can be almost hypnotic sometimes. I admire and have the highest respect for people who have practiced and sacrificed so much to become absolute wizards at what they do. Some of the stuff was new to me, haven’t heard it live before, so it was a treat to get to hear it “in action”.
After his show, I went outside again, and just sat in the cafe, they had pretty comfy fake-leather chairs. I was tired as f**k, had been up since 4 that morning and there was some personal crap going on that just made me feel a bit “off”. I met a few familiar faces, Maj-Louise and photographer John, but all in all I felt like I was in my own little “bubble” and not quite in a “party rock’n’roll” type of mood.
However, figured I’d stick around till Gus had finished his signing-session at the merch, take a few pics of that and then head back home to get some sleep before driving to Gothenburg the next day.
Gus came out, posed with some fans, signed some stuff and all that. I told him that I was leaving, said bye to Jo, and drove back home. Didn’t even say hello or anything to Markus in the merch, felt like a total ass, don’t know where my head was at.
And no, I didn’t see Kamelot – I heard them from outside. Never been my thing at all. They are a visually impressive live band to watch and everything is very professional and well executed, but it’s not my “thang”.
Got a few hours of sleep – then drove off with destination GOTHENBURG (Göteborg) the next morning.
I love driving, it’s the most relaxing thing there is (well… if you don’t count my roadrage outbursts…)
You get to listen to either good music REALLY loud without bothering anyone, you can sing your heart out, you can just let your mind wander – and you just see a road, heading to your destination. Always loved driving.
When I got to Gothenburg, it was around 1.30 PM, a beautiful, sunny day. There are only about 5 parking spaces right in front of the venue, so getting there early is the key. I got the BEST spot. :)
Took a little walk around the beautiful garden in the back.
Went back to see if there was anyone outside the buses that were parked on the side, but didn’t see anyone. A guy asked me if I could take a photo of him and Linnéa, the female voice in Kamelot. So I talked a bit with him. He was on sick leave and was in what they call “work training” here in Sweden. His income per month was a little over 1000 Swedish krona. I thought he was just bullshitting me, this is Sweden, you can’t live off of that. That’s not even enough for a month’s worth of food?
He said he has been living on pasta – without anything on it, gruel and crispbread. His friends and parents have helped him with money. Crazy, I didn’t think that was possible. He so wanted to see the show, he was a big Kamelot-fan and collector, but since it cost more than he could afford to even get to Gothenburg from where he lived, he couldn’t buy a ticket. I was so pleased to see that he got in anyway. Somebody must have put him on the guest list.
I offered him a Gus G poster cause I still had a few left from the last tour in the car. He asked if I had a few to spare for his friends, so I gave him a bunch and he was a happy camper when he got it all signed by the whole band. :)
Once again Gus showed up – on the parking lot (here we go again…!) and recognized my car. He’s been driven around Malmo in that very car when he was at Rockmässan a while ago. :D
So we went inside, another sound check thing going on.
I said I was perfectly fine hanging out somewhere where I could make myself invisible, while watching the preparations. And that’s the thing, I think that’s relaxing in a weird sort of way – watching the building of a stage, everbody running back and forth with amps, cables, a snare here, a cymbal there – lights, rolls of gaffer tape, backdrops… Just all the bits and pieces that need to be put together before a show can even take place.
I love that shit. Call me crazy but I’m perfectly content just watching that, like some people enjoy watching an ant-heap. I’m sure some were wondering who the hell “that chick over there” was or what my business was there in the first place. I just figure, if someone wants to know, they will ask. If not, it’s not my problem what anyone thinks. :)
While I was sitting there, one of the guys, in a red baseball cap and glasses, who was working with Kamelot, walks up to me and goes: “What, are we not friends anymore??”
I hadn’t even seen his face under that cap, so I said “I should know you, shouldn’t I?” because he kinda reminded me of a guy who used to work with Jon Oliva. I wasn’t sure though, cause it’s been a while, so I was waiting for him to say something, give me a hint.
He said something I didn’t hear and took off, then never came back. So, I’m still wondering if I either offended the guy or if he thought I was somebody else. :) When you see people outside of their original context, it sometimes takes a few moments to remember, and I’ve always sucked at it.
Also, being in your own corner works best for me. I’m not in anyone’s way. After all, it’s a workplace. If anyone has a few minutes to spare, they will come over and talk, but I’m not chasing anyone around in that environment.
Stage was done, sound check was done when doors opened. The first one I saw running towards the stage to get his front row spot, was the Kamelot fan that I had met outside earlier. I smiled to myself, I thought he deserved to get in, he was such a passionate fan. People like that should be treated well. :)
Shows commenced, like the evening before – same comments from me there. The crowds were great in Denmark and Sweden, ten points for that!
After Kamelot’s gig, everybody gathered at the merch stand again so I just hung out for a little while, feeling bummed that it was over ALREADY. I’m not used to just going home after one or two shows, I’m usually the one who has a whole TOUR planned ahead! So, getting in the car, driving back home after just 2 shows sucks. Was invited to come hang on the bus for a while before they left, but I had a long drive home in the middle of the night, so I left early. There will be other, better opportunities.
That was that. Well – things will look different next year. :)
QUOTES HEARD AFTER THE SHOW IN GOTHENBURG:
Fan to Gus G: “Man, you played GREAT!”
Gus: “Thanks. I’ve been practicing”
Fan to Henning Basse: “OMG! It’s you! Metalium! [does the Wayne’s World “we’re not worthy“-bow]
Henning [after a few seconds of being speechless]: “That’s embarrassing!”
The IMPOSSIBLE…. turned out not to be that impossible after all. Time heals a lot – and with time comes wisdom and a different perspective on life, I guess. Maybe even the rock’n’roll legends have realized that they aren’t immortal and that life is too short for pettiness.
Ritchie Blackmore is to reunite with his old bandmates from Deep Purple and Rainbow, and give it another last go next year. I can barely believe it, it’s beyond what anyone thought would EVER happen, it feels almost unreal!
It’s a chance to relive legends in action, to turn back time!
And it hit me – we are the last, privileged generation.We are probably the last ones to see the amazing men and women who created heavy metal, the people who gave us rock”roll.
Black Sabbath – who said they would NEVER play together again, got back together, and now they’re about to embark on their last ever tour, as Tony Iommi doesn’t want to push his luck and risk his health with extensive touring. Black Sabbath invented classic heavy metal.
This is it. You get this one last chance, and they will forever hold their peace. Strange thought, isn’t it? They’ve ALWAYS been there. Like family, or your best friends in the world.
AC/DC:s Brian Johnson said just the other day that it’s time for AC/DC to retire as well. One of the best live bands of all time. We’ve seen the last of them. The time has come to say goodbye.
Lemmy is struggling with his health, it may very well be the last time he goes on tour as well, no matter how much of a fighter and a badass he is. There always comes a time when it’s time to say goodbye. Maybe that time is here now.
Some other legends are not calling it quits, but maybe they should, so that people can remember them while they were still half decent, and not as complete disasters. I’m talking about Kiss, Motley Crue, Geoff Tate… bands that used to be on the absolute top, that now are embarrassing themselves and you just wish you hadn’t had to witness their public humiliation.
I consider myself extremely lucky, because I’ve seen most of the legends. I was a teenager during the best years of their career, and I followed them through the decades. Cozy Powell, Judas Priest, Whitesnake, Dio, Iron Maiden, Bon Jovi, Def Leppard, well most of the 70’s and 80’s legends. They wrote the book.
How much longer will they be around? I already see the demise of the legends. They are retiring or moving on to their rock’n’roll heaven & hell, they’ve given us a lifetime of fantastic music, memories and unforgettable concert experiences.
We are the lucky ones, the privileged ones. We were there when they said hello – we will be there when they say goodbye. Ten or twenty years from now, all the bands that we grew up with, will have retired and some of them may have said goodbye for good – in whichever shape or form…
Some may no longer be what they once were, but as long as the heart and passion is there – I will be there to show my support and gratitude, to the very end.
OZZY, I love that man, there’s passion and love in what he does (not so sure about his performances with Sabbath, but as a solo artist, there’s no doubt about it!).
DAVID COVERDALE, amazing frontman, a source of inspiration for millions of people worldwide.
ROB HALFORD, the Metal God – he’s always OWNED his crowd. Never mind the fact that his voice has had its ups and downs live, he is a legend in his own right, I’ll go see Priest for as long as they keep doing their thing!
And all those guys who are about to throw in the towel for good: THANK YOU for sharing your talent, love for music and lives with us! Now go and get that WELL DESERVED REST that you’ve EARNED after a lifetime of hard, amazing work! And smile at your accomplishments. Nobody will ever forget what you’ve created.
I can’t wait to see Blackmore and Joe Lynn Turner back together again. Blackmore and COVERDALE – are you KIDDING? I can just lie down and DIE after that!! Now – can we fast-forward to 2016 please?? :D