Tagged: Lita Ford
The true love for rock’n’roll
This kind of got me thinking of exactly how much I love rock’n’roll.
Was talking to a guy the other day and he said he was into “all kinds of music“, and was trying to convince me that Ultravox (new wave band from the 80’s, playing electronic music) were far better than any metal band – and he was going to make it his mission to make me realize that.
I thought he was kidding, but the dude was dead serious. :) Oh boy. Talk about wasting time and breath for nothing. :)
I can see and appreciate the qualities in other kinds of music, for whatever it may be. It could be good musicianship or a taste for well produced albums or just memorable sing-along songs or whatever. But my HEART is wherever rock’n’roll is. That’s something that people who aren’t IN it, will never understand. Especially not those who say that they listen to “all kinds of music”. I think most of us do, but rockers will always state rock as their favorite music when asked, as opposed to people who don’t passionately love anything, they just listen to “everything”….
Rock’n’roll touches my heart simply because it’s genuine. And I’m not just talking about heavy metal, I’m going back to the 60’s in my trail of thoughts right now. There was all that rebellion going on back then, that paved the way for pretty much all artists today. You had John Lennon – the rebel, you had Stones, Hendrix, Janis, Morrison, The Who… You name it. Mentioning Ultravox in the same breath as those people is just ridiculous. :)
When I listen to Janis Joplin for instance, it’s almost as if she’s transferring her thoughts and emotions directly to the listener, it’s that intense. She was just so amazing and definitely a rebel and a pioneer as no women were doing what she was doing back then. It’s impossible to listen to her sing and feel indifferent.
As far as metal…. It’s got everything that I love about music. It represents strength, power, truth, sex, love, passion, freedom, living life to its fullest (yes I know there are bands in the genre that represent the exact opposite, but generally speaking).
When I first heard Judas Priest, it just knocked me off my feet. There were loud, screaming guitars, loud screaming vocals, pounding bass and drums that just punched you in the face in the most amazing sort of way, the whole combo grabbed my heart and it’s kept that firm grip of it ever since.
The reason why people love bands like Motley Crue for instance, is because they didn’t care about anything, they just did whatever they felt like doing, regardless what was considered tasteful or acceptable.
I’m not saying I agree with all their choices in life but a part of me admires their absolute disregard of what an “acceptable lifestyle” is. Most people are stuck in their everyday lives, being told what to do by their boss, their spouse, their government…whatever other authority you can think of.
Everybody dreams of being able to tell all those authorities to piss off, but most people are not in the position to do that. So, Motley Crue were kind of doing it FOR them.
Societies all over the world also usually tell you to surpress your sexuality, Motley Crue (and most hard rock/metal bands I can think of) are telling you the exact opposite. Embrace it, live it, love it.
It’s YOUR life, nobody else’s. Do whatever you want, as long as you’re not hurting anyone else. That’s why they’re still around. The bad boys dared to just not give a rats ass.
Having said that, I still don’t agree with a lot of shit that they’ve done, but that’s a different story.
The feeling I get from a really great live-show or a crazy good song/album, is almost indescribable. I can’t think of ANY chemical drug that could do a better job. Not in a million years. It’s the same type of euphoria that you experience when you have a crush on someone. That short period of time when you’re up in the pink clouds, can’t eat, can’t sleep and you just walk around with a silly smile on your face. THAT’s what good music does to you.
I’ll never forget that Whitesnake-show at Sweden Rock Festival a few years ago when David surprised everybody by bringing out Bernie Marsden on stage – and then also Adrian Vandenberg…! THAT, combined with the music, oh my god, I was crying like a baby! It was just so incredibly powerful, so touching, I couldn’t stop the tears for HOURS after that…!
One of my colleagues from Sweden Rock still remembers that, he met me right after the show and I looked like Alice Cooper cause my makeup was smeared all over my face from the tears.
I had the same reaction when Rob Halford was playing in Malmo many years ago, at the local rock club KB with his band HALFORD. When he sang “Victim of Changes” something just burst inside and I was just bawling my eyes out. I could not believe that my hero was that close, on a club stage, singing THAT song!
A friend of mine met me outside after the show and I was still crying. She thought I was sad, I had to explain that I was just so goddamn happy that crying was the only way to get it all out of my system.
[Not Victim of Changes, but another one of my fav Priest-covers, Diamonds and Rust!]
I’ve been walking around with Tony Martin’s various recordings in my Motörheadphönes for days now. After all these years….I could listen to that voice over and over again, every day, for 30 years, and I would STILL not get sick of it. In my book. Martin is the embodiment of vocal perfection!
I just feel that “high” every time I hear him. Jesus, he was unreal. He’s always been compared to Dio, but as much as I love and respect Ronnie, and think that he was outstanding, he just didn’t have the same range as Tony. If he did, he wasn’t using it the same way. Tony Martin has this HUGE masculine voice that suddenly just takes detours out into the stratosphere. That voice had a spell on me since 1989 when I first heard him with Black Sabbath.
[Tony belting it out with Mischa Calvin, fantastic album!!]
And lately I’ve been picking up Apollo Papathanasio’s extensive back catalog as well. Vocally, he’s like a Swedish/Greek equivalent to Tony Martin, he’s got the same kind of wide-range voice, deep and sensual, while also being able to hit you with those powerful, strong vocal lines that so few singers have the ability to do. When this song comes on, with one of his many projects, Sandalinas, I just want to kick back, close my eyes, listen and let that voice take me to foreign lands..! :)
Metal is of course also about aggression, which I guess is the one part of it that most non-metalheads have picked up on (and focused on).
But it’s the best way to get all those aggressions OUT. You don’t need expensive therapy or Prozac when you’ve got MEGADETH for example. This is what I wrote right after their show in Aarhus, Denmark back in 2011:
“It feels so frikkin’ great when that heavy, aggressive music, the pumping bass and angry, distorted guitars hits your eardrums – it’s like a spring-cleaning for the soul. Whatever might be stored in there, whether you’re aware of it or not, it just goes away. Amazing.”
Dave Mustaine is an angry man and I love him for it. I love his sarcasm and his grumpy face, I love his fuck you-songs, especially when he has a very intelligent way of approaching whatever issues he’s got with politicians or society. He’s got something to say and he’s certainly not afraid of voicing his opinion, loud and clear.
Megadeth calls to the absolutely most primal sides of us all and hearing those pissed off, aggressive songs is like fucking ANGEL CHOIRS in MY ears! There’s another “high” that metal brings, no doubt.
Rock’n’roll is the love of my life. I’ve pretty much dedicated my whole life to it. I’ll let Lita Ford express it with this song – Rock’n’Roll Made Me What I Am Today.
To have some random dude thinking that he will get me to think that ULTRAVOX is better than rock… lol!
I wouldn’t count on it. ;)
LITA FORD – The best things in life are worth waiting for
The year was 1983 and I was taking my first baby-steps in the new and exciting world of heavy metal.
Back in those days it was very much a man’s world (a lot more than it is today) and eventhough I worshipped Judas Priest (who got the ball rolling) and all those other classic bands, I didn’t have a female rolemodel.
So – I dressed like the guys. Denim and leather, 80’s style with patches, back patches, badges and all that stuff.
[Remember this? ;P]

One day I was flipping through Swedish music magazine OKEJ and saw photos of this “new” rock chick who just released her album “Out For Blood“. Lita Ford.
I thought Lita looked so cool. With that logic, I was also convinced that she SOUNDED good, so I went and bought the album. In two versions, as the cover had been censored in the UK for being “too vulgar”. THAT, of course, meant that I absolutely HAD to have it! :)
[This was the very first article I saw, that made me go buy Lita’s debut album. I’ve still got that scrapbook, these articles are in surprisingly good shape still, no soda-stains or anything :)]
The CENSORED version from 1983 – now signed!

Long story short – Lita has been the source of inspiration ever since. Besides Judas Priest, she’s the reason I’m still here, in this crazy rock’n’roll circus. She paved the way, showed that women could be a part of the business, and not just as groupies (you always get that shit anyway from ignorant people).
She was talented, beautiful, successful, determined and had tons of attitude.
It’s been 30 years since I first got “Out of Blood“. Always wanted to meet her but the opportunity was never given. She just didn’t tour over here much – and the one time she DID, with Bon Jovi in 1988, I had a gig with my own band (major clash!)
I ALMOST met her a few years ago though. At Sweden Rock, I was with Jon Oliva’s Pain who had the caravan next to Lita’s and I could see straight in. But she had what you might call a bad day. Could happen to anyone. I wasn’t going to push anything. The chance was right under my nose but I respected her privacy and chose not to bug her.
My friend Kevin from Jon Oliva’s Pain brought me up on stage during LIta’s gig. Just shot this very short clip from that – we were drinking wine, watching Lita from up close, couldn’t be better. :)
And now, it’s 2013, 30 years later, the teenage girl that was me, who thought the badass chick with the bleeding guitar was the coolest thing ever – finally got to meet her idol face to face for a long and openhearted talk. :)
That’s every fan’s dream. It doesn’t even matter that I’ve been meeting “rock stars” on a regular basis since I was 18 and therefore “should” be jaded. When you get to meet someone who’s actually meant something in your life, you go back to being a nervous, stoked KID!
Lita was great, she is totally down to earth – has a unique quality that makes you feel like you’re long time friends. So, here’s what happened…
MALMO, SWEDEN – JULY 25, 2013….
I woke up at Hotel Palace in Gothenburg early in the morning. I had just been to see her show at Sticky Fingers the night before. Took the bus back to Malmo and slept all the way home while the rain was pattering against the window.
At this point, I didn’t even know if the interview was going to happen. It’s always like that. You get the details in the very last minute, it just goes with the territory…
Around 3 in the afternoon I finally got a text back from the label-guy who informed me that my interview was taking place at 5.30 at the venue. That was when I realized that this was actually happening, finally. When that sunk in, I started getting nervous. Man! Lita Ford has not only been a rolemodel since I was a kid, she’s also the last name on my list of people I want to meet before I die. The circle was about to be completed!
I grabbed my interview-bag and drove down to the venue, KB – my second home. I just wanted to find a good place to do the interview where there wouldn’t be sound check-noise or people running in and out. Johan, alias “Dr AOR” was outside and he was one of the DJ’s of the evening so he let me in.
Bengan, who’s been working at KB since forever, suggested the main dressing room, which also serves as a hospitality room. It was empty and it was perfect.
Lita’s tour manager introduced himself, a nice man, and I stayed watching the sound check preparations while waiting for Henrik “the camera man” to show up.
Then…. Lita arrived. Her comment just made me laugh, because I know exactly where she was coming from with that question: “Do I know you from before, or are you doing the interview?”
I’m exactly the same. I never freaking remember people, so as to avoid awkward situations, it’s better to ask first.
She came over a few times, asking me when and where we would do the interview, and when I mentioned that I was waiting for my camera-guy, she realized that it was going to be recorded, so she took her makeup bag and asked where the toilet was. :)
Henrik and Mari arrived just when the sound check was about to begin. I told the tour manager that they didn’t have to worry about us. KB is our second home, and we know our way around. We could handle the setup ourselves while Lita was sound checking (I stayed and watched one song before I went upstairs to prepare).
It was unbearably hot in the dressing room. No airconditioning or anything. When Lita walked in she felt it right away and just went “Oh my god! Isn’t there an airconditioner in here?” The idea of doing the interview dressed in her cool, black leather jacket was out of the question.
The KB guys brought 3 different fans, and a cooling-machine of some sort and plugged it in, so we could kind of survive….
She was chit-chatting while fixing her makeup. Again, she did what I always do – took the makeup bag and flipped it upside down so that everything in there just fell out on the table in one big pile of mixed random makeup-products.
“I bought all this new makeup, haven’t tried some of it yet so I don’t know what it does exactly”, she laughed and continued fixing her makeup over at the floor mirror. She was upset that one of her guitars had been smashed by United Airlines on her way over to Europe, and it was one of her favorite red guitars. The neck was broken, couldn’t be fixed.
Small little talk about coffee and staying awake when you need to (I gave her my energy-gums, the ones I use when I’m out on my own “tours” and she tried one right away. Then after a few seconds commented: “Wow! That is one serious gum!” It is – it’s strong and you feel it working right away. Don’t know what I’d do without those!
I was still a bit nervous, but Lita was just so easy to deal with that I felt like I was talking to someone I’d known for a long time. She just has this open attitude that makes people feel relaxed.
She noticed Henrik’s designer t-shirt, liked it and asked what designer it was.
The first few questions were just a bit of standard stuff, to get things going. And as some of this material was equested by another media, I won’t be able to publish any of that until it’s been used for what it’s intended to. But the second part of the interview will be up here soon, transcripted and edited within the next few weeks.
[A short random clip from the interview – we’re talking about tattoos here]
The thing is…. I’ve followed Lita since the early 80’s, and when you read so much about an artist and watch them on TV or Youtube or whatever, it feels like you already know them. I guess that’s why you like certain artists more than others – because there’s something about them that you can relate to and understand, and Lita has always been that person.
I smiled when she said that during the Runaways-days she wanted it to be dark in the studio where she recorded her vocals. She didn’t want people to look at her making her faces while she was singing.
I did the exact same thing – I turned out the lights in there and I’m sure the guys were thinking WTF, but it just made me relax. I didn’t know that Lita did the same. It’s just those small things…!
It got to a point where the conversation got pretty deep and I had to really use every bit of strength and concentration to stay professional in front of the cameras.
We were talking about death and she was telling me about her mother’s last three days in life. Lita never left her side. It was hard for her to talk about it. She also mentioned her father who had passed away a few years before her mom. Lita and her parents were very close, and the song “Lisa“, that she wrote for her mom, always made me cry. Still does.
It was difficult for her to talk about it still, eventhough it’s been 23 years since her mother passed away. I wanted to say something, just a short comment that I could relate because I just recently lost my father. But as I started the sentence I realized that I couldn’t continue – I just felt how hard it was to even go there. I couldn’t. This wasn’t about me anyway,
So I was holding back the tears – so was Lita. But you know… It helped me, as another piece in processing my own grief.
You never stop hurting and you never stop missing those you loved and lost, but you get on with your life, because you must. We had the same ideas about life after death, or “life on the other side”.
She wasn’t afraid to talk openly about pretty much everything and anything. In her opinion, there are 2 kinds of people in the world: Leaders and followers.
In order to change something, somebody had to be first and lead the way. She was okay with being one of those people.
“I’m not alone thinking or feeling the things I do. There are others out there who have similar experiences. But they are afraid to talk about it. When they see somebody else bring it up, they can say “that’s how I feel!”
So, basically, Lita said a lot of things that I can relate to 100% and I definitely respect and admire her even more after finally meeting her.

Another important aspect of the interview dealt with the family tragedy she’s going through. I will post that part of the interview soon, it’s very sad. It doesn’t matter which parent made the most mistakes in a marriage or what the reasons are that people get divorced. But when kids are being used as weapons in those battles, it sickens me.
Lita started this Facebook-page which deals with the subject – check it out:
Lita Ford’s Parental-Alienation Awareness
I could have stayed there talking with her for hours. She wasn’t looking at the clock or going “one last question, I gotta run” – which is almost standard. EIther the artist or some manager interrupts an interview by letting you know that you need to finish. Lita was totally cool, no stress.
We continued talking after the cameras were turned off, and I could not have asked for a better first meeting. I’m thankful it turned out that way. Cause when you’ve admired someone for so long, it would have been somewhat disappointing and almost devastating to find out that that person was a prick and that you wasted 30 years of your life following his/her career.
That didn’t happen with Lita. I can still relate to her, maybe even more now than before. Go check out the photos from the interview and the shows at www.facebook.com/intherearviewmirror
I thanked her for her time and instead of shaking hands, like I usually do, I instinctively gave her a hug. I never do that. It’s happened maybe once or twice before that I’ve hugged a “stranger”, and especially not in interview-situations.
And ten minutes later, when I was leaving the venue to go home and leave some of my stuff before going back to the show, she hugged me. So, I think it was a good chemistry and after 30 years it feels like the best things in life are worth waiting for!




The metal queens that left a mark
When you’re on vacation you suddenly have a LOT of time on your hands. I ended up spending hours on YouTube last night watching videos by some of the female bands/artists that inspired me as I was growing up.
I’ve always collected albums by female rockers, whether it was all-girl bands or female fronted male bands or even the very few women who got a gig playing in a male band (not just singing).
The very first heroine was of course Lita Ford. When I was just a kid with very little knowledge of the music world, I remember stopping in the record store being totally in awe of the cool girls on the cover of this Runaways album:

Lita was of course the one who caught the eye of a curious 8-year old cause she wore that silver-thing on her arm. Then when she released her first solo-album in 1983, I really started collecting Lita-stuff. She was definitely the number one role-model.
[Cheesy early Lita-video, title track of her debut solo-album “Out For Blood“]
Joan Jett never appealed to me as much. It was only last year at Sweden Rock Festival when I attended her press-conference and saw her live, that I truly got why she’s stayed on the top in this business all these years. She is genuine and breathes rock’n’roll! She ruled the crowd, they loved her!
In the early 80’s, there were very few females playing metal. One of my favorite bands was Rock Goddess. The youngest member, drummer Julie Turner, was so young at the time that they even had trouble getting her into some of their own gigs!
They came to Sweden opening for Def Leppard in 1984 I think, but I wasn’t allowed to go. My parents were still not happy about the fact that their daughter was into heavy metal, it was something they had heard “bad things” about. Needless to say, they had to change their minds along the way… ;-P
[Rock Goddess with the asskicking Jodie Turner on vocals and guitar!]
I picked up whatever I could – Girlschool, She, Lita, Joan, Headpins, and then of course Lee Aaron. The Metal Queen. When I first heard her, it was on the radio (must have been some local station, they didn’t normally play heavy metal on the national Swedish radio back in those days) – I thought it was a guy…! Man, the lady had quite a set of pipes! And she was beautiful too, not to mention a bundle of energy on stage. Well, that’s how I imagined her, because I never saw her live and there was no YouTube so I had to rely on the reviews I read in the metal magazines I could get my hands on in 1984. I was happy to finally see her live at Sweden Rock Festival last year and she blew me away! She is still stunning and hasn’t lost her vocal range one bit!
[Quite cheesy video but these were still the early years of music videos…]
As the years went by, the world of metal started to expand and more women fought their way in. Cause it sure as hell wasn’t easy being a woman in metal in the 70’s or 80’s! There were very few, and the ones who DID manage to secure their place in the business, constantly had to deal with stupid juvenile sexism. It was automatically assumed that heavy metal was a man’s world and as a woman you simply couldn’t play.
At its best, you would hear comments along the lines of “well… pretty good – for a chick“. It was still pretty bad when I joined my first band. When we played, I would constantly hear some drunk asshole (and his equally drunk idiot pals) yell: “Show your tits!”. Well, show your d***k if you can find it, son of a b…. It was a pain in the butt, but you couldn’t let it stop you.
Late 80’s presented the classy ladies of Vixen for instance. Eventhough I wouldn’t call them metal, I loved everything about them. I was young, thought of them as inspirational not only as great musicians but also as fashion-statements for women in rock. :-) I had the pleasure of talking to them a few times during their fairly short, but successful career and loved their personalities.
Other ladies that I listened to during this period was Femme Fatale fronted by a lady with an attitude – Lorraine Lewis. She’s still active, playing the Monsters of Rock Cruise for instance. Would love to see her, cause most of those American bands never made it to Europe for some reason.
Doro had been around since…forever! Starting out with Warlock, I’d say she’s also one of the few true, 200% dedicated and impressive metal queens out there. Doro and Lita won every poll for “best female artist” back in those days. I love Doro, who doesn’t?! She’s a wonderful, humble person with a true love for heavy metal.
Another band that I really liked, but who never made it commercially (they stayed somehow “underground” eventhough MTV aired their videos) was Phantom Blue.
They were the first and only female band to be signed to Mike Varney’s Shapnel Records (only 3 months after forming!). Just as a bit of trivia, guitarists Michelle and Nicole were both students of Paul Gilbert and Bruce Boulliet of Racer X. Great guitarists and to top it all off – the amazing Gigi Hangach on vocals.
They couldn’t compete with the likes of Vixen or Lita in terms of airtime or albums sold, but they made a mark in music history for sure. Michelle married John Norum (ex-Europe) and moved to Sweden where she formed the band Meldrum. I remember being in touch with her back and forth about a gig at my club Hard Break in the mid-, late nineties, but due to a double-booking it fell through. Michelle was anything but happy about it, to make a long story very short… :-( It sucks that things had to go so wrong. She passed away in 2008. Read more about the band here. The actual promo video for this great song used to be on YouTube but I’m sure some idiot had it removed for whatever reason… The only thing left is this incredibly inspiring “look at this photo”-video, but at least you can still HEAR the music.
As far as VOICES…there was only ONE that could blew off the competition. Not that there ever was any competition. This woman was on her throne and nobody ever came even CLOSE to her vocal power! Ann Wilson of Heart. That voice amazes me to this day, she was and is one of a kind.
Then, of course, there was the CHEESE.
Some stand out as worse than anything. I bought records by these “ladies” but they’ve only been played once and then took their place in the collection just as “fill-outs”, never to be played again.
Lisa Dominique, she was in Kerrang! all the time, but the only reason she was, was because she was selling her “sexy image” more than her music – she couldn’t sing if her life depended on it! Take a listen to this (warning for possible injuries on sensitive eardrums….)
Then there was the super-cheesy Betsy Bitch from the band….Bitch. I’m lost for words, this is just about the cheesiest crap I’ve ever seen or heard in most aspects, especially lyric-wise! :)
Granted, she was one of the very first female metal vocalists, starting out in 1980, but that doesn’t help, at all. This song especially is horrible. Check it out:
Another uh..lady, that must be placed in the cheese-department is The Great Kat. It’s not that she didn’t know what she was doing; she was a classically trained violinist, graduated from Juilliard and had been touring playing classical music before she became…that.
Once again, she ends up in the cheese-department simply because…well, you’ll understand when you watch the video below. She could play, has even been listed as one of the top shredders of all time by Guitar One magazine. Maybe she would have passed unnoticed if she hadn’t created this insane persona, where she often claimed she was Beethoven reincarnated. ;)
Enjoy…(or something)!
Jesus, I think I’ll have go and take a break after that. :-)) Hope you’ve enjoyed the rundown!
_________________________________________________________________________
Honorable mentions that didn’t fit into the article above but that you should take a listen to:
Canadian rocker Joanna Dean, loved her album “Misbehavin”
One HELL of a voice – Chrissy Steele (who was recruited to take over vocal duties after Darby Mills in Headpins. This is from her solo album “Magnet to Steele“)
Where in the world are you going to be THIS weekend?
One of my colleagues at work was asking people, quite randomly, what their plans were for the weekend. He got replies along the lines of “I’m just going to take it easy...”, “I’m going out with a few friends...” – then he turned to me and went: “So, Daniela, where in the world are you going THIS weekend?” with a big grin.
Guess it’s been like that back and forth since I ran out of vacation days. I’ve had to do everything on weekends!
Athens, Greece the first weekend in January (for Firewind), New York City two weekends later (for Steve Stevens and Sebastian Bach on Iridium, Broadway), Tampa, Florida for just one day to see Van Halen… And probably some European dates inbetween that I already forgot about.
I didn’t do this a few years ago. I guess that the general opinion is that you “can’t” do crazy shit like going overseas for a weekend, unless you’re a millionaire with nothing better to spend your money on.
But then I realized that you CAN.
Maybe it’s crazy, but really, the only “crazy” part is the short time-frame. Nothing else. And if you think about it, it’s not that crazy at all, because usually HOTELS cost a lot more than the actual trip, so going for a weekend is SAVING money, not the opposite. Two hotel-nights equal a flight ticket, most of the time. For that, you get to visit more countries instead of just one. :)
And going several times a year means that you don’t have to squeeze in everything you want to do in a few days and then think that you’ll never come back. You do what you need to do – well knowing that you WILL be back, and probably pretty soon too. :-)
There are different ways of making it possible – apart from living on crispbread and noodles.
I just applied for an American Express card with flyer miles. If you get approved, you get 20,000 miles as a welcome-bonus, which is enough for a roundtrip somewhere within Europe. With my 10,000 current miles on the bonus card, that makes 30,000 miles which is enough for an upgrade to business class. Never flown business class but always wanted to – and so for my next overseas-trip I’ll use the miles for that! :-)
The best thing about a credit card that offers miles for everything you buy, is that it’s effortless! I need food anyway, I will buy concert tickets abroad and trains, flights, buses, whatever, every 100 SEK gives 20 flyer miles (100 SEK equals 1 loaf of bread, butter, milk, a piece of cheese and a pack of chewing gum – now you do the math how fast you get to collect miles to get free flights!).
But for now… A “regular” vacation in Split, Croatia. Three weeks of getting pissed off at crappy internet-connections, no car, no cable TV (just regular, standard TV which is like 4 channels I think….) expensive phone, so I can’t call friends anywhere else in the world like I’m used to. And most of all – no rock’n’roll. GAAH! It’s going to drive me NUTS!
The highlight last year was hanging with this dude – the only person I got to talk music with during my stay in Split last year. I hope there’ll be an opportunity to hang out this year as well. Was nice of him to travel all the way down to Split eventhough he lives in the north part of the country, I think maybe about 4 hours travel or something like that.
[A Justin TImberlake-song never sounded this cool, lol!]
I’m just not cut out for “regular vacations”. If it doesn’t include music in one way or another, I’ll most likely not going to enjoy it. Maybe a week, tops.
Was checking tour dates for Ozzy, Steel Panther, Billy Idol, Firewind, Lita Ford, and wrote them all down in my calendar. And all the festivals of course. That’s the only way to keep track of the bands I want to see. Otherwise I have no clue what day it is, yet alone who plays where!
But I’m getting pretty good at this, I get away with the travelling fairly cheap, simply because I’ve learned how. I wrote a few tips last year, but I might write a little book about it someday. :-)
Here are the travel-tips blogs from 2011:
http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-1
http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-2
http://lita77777.posterous.com/the-rocknroll-travellers-best-tips-part-3
An internet friend e-mailed me the other day asking if I was going to see Ozzy in Dortmund, Germany in June, cause she wants to go and figured we could split hotel costs and go to the show. It’s never difficult to persuade me to something like that. :-)
I wanted to go to that gig anyway because it’s at Westfalenhalle, a venue that I remember from my very early days, beeing a teenage rocker in 19something….. [mumble….].
Ozzy, Judas Priest, Iron Maiden, Def Leppard…. Those are only a few of the bands that were playing there back then, and it was aired LIVE on TV at the time. It was a big deal when something was aired live back in those days, so I remember it as a big event.
[Def Leppard back in the day when they were really cool:]
As it’s only two days from the Ozzy-gig in my home-town Malmo, I need to know when my friend Bianca who’s visiting me for THAT, is going back home, so I’ll have to wait before I book any trains or flights. I’ll probably take that whole week off and go to Germany and then to Sweden Rock Festival two days after THAT.
Yeah, the madness is about to begin. Soon. Very soon. :-D
I love my life. :)
LITA FORD – Living Like A Runaway
An unexpected e-mail popped up in my e-mail today.
It was from Playground Records, old business-friend Suzan who I’ve actually known since we were just teenagers back in the early nineties and bumped into eachother at every gig from Skid Row to Mr Big. :)
There was a link to the new Lita-album with a short message that said: “Enjoy!”
Man, I so wished that I could have left the office right away to just go home and BLAST it!
I couldn’t get home fast enough, and I have to admit that I’ve still got my shoes on – and bag, coat and everything else in a nice trail on the floor all the way from the hall to the computer…!
I clicked on the link to the streaming-page and turned it up to eleven.
The first three tracks left me disappointed. I mean, eventhough I love Lita’s eighties albums the most (Lita, Dangerous Curves and Stiletto), I do realize that she’s not going to sound like that again.
Especially not now, it’s not her thing to be a nostalgia-trip. She wasn’t on Wicked Wonderland and she certainly isn’t on Living Like A Runaway.
But thank GOD – after the three first less impressive songs, it totally turns around. With the title track Living Like A Runaway she delivers a great melodic song that’s not just tasteful in terms of music/melody but most definitely also lyricwise.
Quote from the bio:
“There have been days in my life when I ran away, when I was unhappy and had to get out of my previous life,” LITA confesses. “It‘s like walking through fire and being able to come through the other side unscathed.”
And it continues like that. Vocally – she’s still got it. She says that her aim with this album was to give people courage and inspire, and she does that by opening up and being very personal in her lyrics. The more personal, the more people can relate and make it their own. I for one, love it.
It’s a very versitile album. It spans over several areas of rock – traditional rock, ballads, metal, even industrial, it’s a smorgasbord of styles, yet they fit together perfectly as it’s an indirect concept album with a clear goal.
Nikki Sixx contributed to the album with the song A Song To Slit Your Wrists By, a cool, heavy tune with MUCHO attitude! :)
If you get the Limited Edition digipak, you’ll also get the bonus song Bad Neighborhood, where no other than Whitesnake-guitarist Doug Aldrich provided the riffs and the chorus melody.
When Lita sings a ballad, she does it with such passion, it always moves me – and she delivers the ballad Mother straight from her heart. Beautiful.
If you’re looking for heavy guitars, hell man, you GOT it…! Lita is definitely not getting older and softer, she’s getting rougher and tougher, as befits the one and only, ultimate true metal-goddess that she is!
LITA FORD “Living Like A Runaway”
Release Date Europe: June 18th, 2012
Release Date Germany: June 15th, 2012
Release Date US/Canada: June 19th, 2012
LITA BACK IN THE BEST OLD DAYS………:




