Tagged: marty friedman
Meeting IRON MAIDEN – The Ed Hunter tour 1999
Found this story from September 22, 1999 that was originally on my old website. Thought it would be cool to dust it off a little as it’s time for Maiden again next year. This was also during a time when I was collecting autographs – I don’t do that anymore. But it’s a nice memory. Here it is:
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Janet and I went to Stockholm just for the fun of it really. She was on vacation and I thought it would be fun to meet Iron Maiden’s tourmanager (who I thought would be the same guy who handled the W.A.S.P-tour – he said he’d come back in the fall with Maiden. Looks like he had a change of plans).
We went to the hotel and saw a bunch of young guys with Iron Maiden t-shirts outside. We went to the hotel bar and ordered tea, so we could sit there and relax, while we studied the activity in the lobby.
Yes, tea, because you get a whole pot which is cheap and gives you all the time in the world to just sit there. (Comment: This was during a time when hotel staff used to throw out people who were not guests..)
The first one I saw was Dave Ellefson (Megadeth), one of my teenage-crushes. Now he has short hair and looks like any guy off the street, but he still looks good.
Dave Mustaine walked out right behind him. If I had been ten years younger, I would have rushed out with the Megadeth CD-cover and asked him to sign it. But now it just didn’t seem like the right time or place for something like that. He looked like he was going someplace and I didn’t want to stall him.
Janet said that Marty Friedman was talking to the people in the reception, and Marty is one of the people I was looking forward to meeting, cause I remember him very well from an interview that I did with him and Nick Menza back in 1990.
We had a good time, and after the interview I went with him to his room and helped him call Anders Johansson (Yngwie’s former drummer) cause they lost touch and he didn’t have his number anymore. Anders was one of my friends so I just put them back in touch with eachother. Yeah, no weird business when this blonde goes to someone’s hotel room, lol! :) Felt nice to reunite two friends. (Comment: The time before Facebook….)

But anyway, I figured he wouldn’t remember me after ten years, so I didn’t even want to embarrass myself by asking.
But Janet and I needed a map anyway, so we could find Globen (where Megadeth and Maiden were playing, a huge arena) so I went to the reception and of course, ended up right behind Marty. I didn’t say anything, I just waited for my turn. Then suddenly, somebody from the “musician-party” (the way he looked and talked, I’d say he was the tour manager…) turned around and asked me, in a pretty loud voice:
– What does it say on your t-shirt?! (I had a black t-shirt that said in big, white capital letters: NEW YORK FUCKIN’ CITY)
I opened my blazer-jacket a little so he could see, and in that moment, Marty turned around. And the next thing I heard was:
– Hey! I know you!!
– Yes you do. I never thought you’d remember, I said, and still couldn’t believe that he remembered me. I looked different back then, and we’re talking about TEN long years!
– Yeah, I do..! You did an interview or something, right?
– Yes..! Wow, you REMEMBER that??
– Sure! And you know what? I remember more than that! It was a small hotel in Copenhagen or something, like the Tivoli or something and… (and then he started to describe the place).
I couldn’t believe my ears. After ten years he could even describe details – I don’t even remember people I met last week!
– So, what are you doing here? he asked.
I didn’t know what to say, because I wasn’t sure myself what I was doing there. It was just one of those things… a good band comes to town, and you can’t just sit at home and ignore it, that’s all.
So I just said that I was looking forward to seeing a good show. How the hell I was going to get in was a completely different story. It had been sold out for months, and I didn’t even have a ticket…
– Well, good to see you, I’ll see you at the show tonight then?!
– Sure, I said and wondered why I said that. I had no idea if we would get in. Globen, a huge arena, Iron Maiden, the biggest metal-attraction since Metallica, except that this was BIGGER, and I didn’t have a ticket or anyone I knew who could help me pull some strings. The way things looked, Janet and I would spend the rest of out evening in the hotel-bar waiting for something to happen.
Then the Maiden-guys started walking in and out of the elevators, and I was still wondering if I would be a pain in the butt if I just jumped out from out of nowhere and asked for an autograph, but I really WANTED their signatures! So I walked over to Steve Harris with my leather jacket and silver marker and asked him to sign it. He was waiting for his cab, so I knew it was not a good time to start a conversation.
He signed it, smiled and was very polite, I just said thanks and went back to the bar. Jannick Gers ran past us so quickly that he dropped his cap – I guess it was because the lobby was full of fans with their records and as he was in a hurry, he probably didn’t want to start signing anything and then not be able to finish – and maybe disappoint a few fans.
But now Janet and I realized that this was our last chance to try to ask somebody to help us out. When Dave Murray came out of the elevator, I asked him to sign my jacket which he did with a smile. I remember Dave as the smiling man from Donington too (except for with the incident with the Cameraman from Hell, which I’ll tell someday…). He’s easy to like, a down to earth man who seems to love his life!
Janet just walked up to him and said that the show was sold out, we didn’t have tickets and that we would have asked that other guy (W.A.S.P‘s tour manager who said he was going out with Maiden and then didn’t) but as he wasn’t there….
– I think it’s in the last minute, but I’ll try. Give me your name and I’ll see what I can do, Dave said.
She gave him our names and he left – the others in the band were already waiting for him.
And that was it… The show was about to begin, and we both thought that Dave had said “I’ll see what I can do” just to get rid of us. Most people would have done that. So we almost didn’t go. Why waste time and gas for nothing? Our plan B was to stick around till Megadeth came back to the hotel and see if we could persuade them to go out to a rock-club or something.
– But we can do both…! We can go to Globen, know for SURE that we AREN’T on the guestlist and then come back here and wait for Megadeth, I said. Janet agreed and we left.
When we came to the security-gate at Globen arena, Janet said that we were supposed to be on the guest list, and the security-guy just smiled, gave her an envelope.
– Yes! Here it is!
She looked as surprised as I did- we went to the side and opened it. There were two tickets!! DAVE, WE LOVE YOU!!! :-)
I managed to see Megadeth’s two last songs, and I love them. Had been looking forward to seeing them, but two songs were better than nothing.
When Iron Maiden walked up on stage, it was like a huge triumph-comeback! They have the best fans in the world! I looked around, and saw thousands and thousands of happy, crazy, screaming, headbanging Maiden-fans! They were in total ecstasy, and it was almost more entertaing watching the crowd than what was going on on stage! Almost… The last time I saw Iron Maiden was Donington 1992, but they were back to rock harder than ever! They were so good that I dropped my jaw. Holy shit.
Three guitars, the typical Maiden bass-sound and an absolutely fantastic Bruce! He has one hell of a set of lungs!! I even wondered if this was live or pre-recorded, but I saw it wasn’t fake. He really is one of the best vocalists around. He’s in great shape too, runs around the stage, jumps over amps like a rubberball, and owns the stage!
I got to hear some of my favorites: Phantom of the opera, Fear of the dark, Run to the hills and of course Number of the beast. It was a good mix actually, a little bit of everything from Maiden’s long musical history.
After the show, we drove back to the hotel just to leave a THANK YOU-note for Dave in the reception and also a note for Marty. Then we went to Copy, a small pub/club that played clasic heavy metal all night. I had a great time listening to old hits like Electric eye and Panama, but had to leave when the air was unbreathable in there. I can’t stand smoke, and it made me feel really sick. Besides, I was dead tired – I had only slept a few hours and driven all day. I needed rest. (Comment: This was before smoking was forbidden in public places in Sweden).
To make a long story short, I didn’t get much sleep that night for various reasons (we stayed with a friend of Janet’s who has three cats and a parakeet. The cats walked all over me during the morning and the bird screamed for all he was worth, so it was impossible to sleep). I wouldn’t have slept long even IF things had been perfect, because I felt that I had to go back to the hotel and get those missing Maiden-autographs before they left! Janet went back to bed and I drove off to new “adventures” on my own.
I went to the hotel-bar/restaurant and ordered tea. I was so tired that I was dizzy, felt sick and saw red and yellow spots before my eyes. I realized that I hadn’t eaten anything either… But then I recognized the Maiden-crew (I had seen one of them running with a fax-machine under his arm the day before) talking to the reception-ladies, so I quickly found my silver-marker and Iron Maiden promo photo that I got from EMI. Jannick came down first, but he was busy straightening out something at the reception desk, so I waited. The hotel-staff smiled at me, they recognized me from the day before.
When Jannick seemed to have solved whatever it was he had to solve and had a spare second, I asked him if he’d sign my jacket and photo.
– Suure! I’ll sign anything you put in front of me, he said and signed.
Then Dave Murray came out of the elevator with a little suitcase on wheels. He was still smiling! When he had finished talking to “his” people, I approached him, and he went:
Then Will (the guy who had helped me out all day with tickets and passes) grabbed me and went:
Sexy guitargasms
I was watching a video on Youtube of Marty Friedman in Thessaloniki, Greece – being joined on stage by Greece’s #1 guitar hero Gus G. When those two great players started playing, I spontaneously thought to myself: “Man… What a GUITARGASM…!”
I laughed and wondered where the hell I got THAT word from. It just seemed like the only appropriate word for it. Was it even a real word?? I had to check, so I googled it.Turns out that it was very much a word used to describe the sexual symbolism in guitarplaying. Definition of guitargasm #1:
“The look of sheer ecstacy on one’s face while playing a guitar solo – usually triggered by a long, sustained note or bend. Looks very similar to the person’s “o”- face”
Definition #2:
“The expression of often orgasmical ecstacy shown whilst playing guitar. Most commonly used during shredding”
I often thought of that actually, how sometimes when I see guitarists getting into a solo, or just playing for an enthusiastic crowd, they get that facial expression that most of us women have seen many times.. :-) Well, you know…. That expression. ;-P
There’s a lot to be said about the erotic symbolism of the guitar. Speaking of Gus G, this was something I actually thought of a few months ago while watching the Firewind live DVD.
At times he played so passionately that… not only could you see it in his face that he was totally into what he was doing, but he actually played as if he was making love to his guitar.
“Embrace the gun”??
Yngwie had that quality too. His hands were flying up and down the neck and over the body of his guitar. He could really make it look sexy, eventhough he wasn’t exactly a pretty boy.
My sister once mentioned something about that when we were talking about music. She said that there was actually scientific proof that women could get aroused by watching a man play guitar, simply because of the shape of the instrument and the musicians hands skillfully handling it.It was a subconscious thing apparently.
Quite honestly, I never heard of that before, but it sounded like it made some sense. So I started looking for more info on the subject.
The first thing that came up when I was searching for more info on this delicate but interesting subject, was ART. More specifically, Picasso and a painting called Reclining Nude with a Man Playing the Guitar.
I’m not an art expert by any means, but the common interpretation of the painting was very interesting. I’m taking the liberty of copying it as is:
“Is xxx suggesting that the guitar — the male artist’s instrument in more ways than one — is more important than the nude, who is an incidental accompaniment to the strident music of the colors and bizarre interplay of the shapes?
Is the covert point of Millei’s transformation of Picasso’s painting to suggest the dominance and consequence of the man and the submission and inconsequence of the woman?
But let’s not forget that Picasso’s guitar is shaped like a female body, suggesting that when the man plays it he is copulating with the nude in unconscious fantasy. He is after all playing the guitar to seduce her.
Also, the guitar’s opening has become a surreal hole-nipple, suggesting that it is a dream condensation of the female body, and also an abstract condensation of concave and convex forms.
The guitar’s long, fretted neck is clearly suggestive of the penis, suggesting that the guitar is also a dream condensation of heterosexual intercourse. But playing the guitar may mean that making art is masturbating and is thus fundamentally narcissistic, whatever the accompanying fantasy of a stimulating woman.
As Hanna Segal suggests, to make good art is to make beautiful music with oneself, while to have good sex is to make beautiful music with someone else.
This again affirms the primary importance of the actively playing male artist and the secondary importance of the passively reclining female nude, even if she physically occupies more of Picasso’s painting than he does.”
Who knew that there was so much to be said about the guitar and the symbolism of it?!
I was never that much into guitars when I first got into metal (which to me is the ultimate guitar-music), but after hearing Yngwie, how could I resist?!
I always loved good music, passionate music and most of all, passionate musicians – regardless of the instrument they’ve chosen.

I’m crazy about drums, and a good drummer can make me feel musically high. There is definitely something very sexy about drums too – it’s very primal, very masculine, aggressive and powerful.
Hell, you can make anything to be about sex if you want to. :-)
You live and learn. And all this just because I watched a video with two cool guitarplayers sharing a small club-stage in Greece. :-)
Seriously, how cool is this – I totally dig it:
MEGADETH in Aarhus, Denmark 21.03.11
Took the day off to go to Aarhus, Denmark and see Megadeth. I keep saying Megadeth eventhough Slayer were headlining. But the only reason I went was for Megadeth. I stayed for 1 song with Slayer, that was quite enough for me.
Took the 3,5 hour trainride from Copenhagen and arrived to a nice, sunny Aarhus. Followed my printed directions and walked to the venue. It was one of the most unusual venues I’ve seen.
It was more of a congress-center, everything was glass…! So, during sound check I thought the windows were going to crack, down to the last one!
I spent all day listening to and watching the sound check, but it quickly got old and they were more than an hour late opening the doors – and then another hour late with the concert. I wondered if I had accidentally ended up at a Guns n’Roses gig.
But when the band walked out on stage, accompanied by the extatic roar from the enthusiastic crowd, it was well worth the waiting!
I’ve seen Megadeth live countless times over the years and as much as I love Megadeth, they used to be the most boring band you could imagine on stage. I always went to see them anyway, because I loved hearing the songs with all that amp-power behind them, that you can’t get from your stereo system at home, no matter how much you try to blow up your speakers (and your neighbors’ ears).
But Megadeth 2011 kicks major fucking ass!
I was blown away when they opened for Judas Priest on their last European tour, and yesterday’s show was still as good as I remember it from the last time. I don’t know what happened, but there is so much drive, so much “F U!” in this band, they deliver the goods!
There’s something primal about Megadeth and their music, I was thinking how super-masculine it is in a way, and there’s a reason why 99% of the crowd is male. But it feels so frikkin’ great when that heavy, aggressive music, the pumping bass and angry, distorted guitars hits your eardrums – it’s like a spring-cleaning for the soul. Whatever might be stored in there, whether you’re aware of it or not, it just goes away. Amazing.
Here’s Mustaine & co yelling “take no shit!”, I don’t know, it just feels fantastic when you’re right up front with the craziest fans, watching Megadeth doing their thing.
And another thing – they don’t age!!
WTF, when Dave Ellefson walked over to our side of the stage with a bright spotlight right in his face, I was thinking to myself that I met this guy back in 1991 and he looked EXACTLY like that! No wrinkles, no nothing.
When most “regular” men tend to lose their hair in their 40’s or somewhere around that time, rockers just seem to grow MORE of it!
Basically, they all looked great. I love Dave Mustaine, he’s just such a unique character. I laughed to myself when half-way through the show he goes:
– I forgot to say good evening…! I’m having to much fun that I forgot to say hi, forgive me!
Only minutes prior to that statement, I was thinking to myself how nobody can look as grumpy as Mustaine. And then he says that he’s having “so much fun”? :) I shouldn’t be surprised. :-D
I like his sarcasm. When I saw Megadeth in Las Vegas back in 1999 (Marty Friedman was still with the band) a girl was flashing her boobs and Mustaine just stood there, not particularly impressed. Then he went: “You know… if you water them, they might grow!” Ouch!! :P
Musically, Megadeth is better than ever. The way the two guitars work together in “Countdown to Extinction” for instance or the contrast between “A Tout Le Monde” and “Peace sells….but who’s buying?”, you get everything from the most raw, caveman brutal metal, to classy guitarwork and an amazingly tight rythm section.
The band interacts perfectly with the crowd, and they are better than they’ve ever been – it’s impossible NOT to raise your fist and yell.
And when it’s all over, and you walk away…. you feel like you’ve just been born again.
From the “good old days” – Marty Friedman and me:

We had a fellow friend – Anders Johansson from Yngwie’s band, now with Hammerfall. They lost touch and I helped him get back in touch with Anders. Once again, this was WAY before internet even existed. :)
And Dave “Junior” Ellefson and me backstage Stockholm early 90’s:




