Tagged: SWEDEN ROCK FESTIVAL
My year in rock – 2013 retrospect
We’re a few days into 2014 already and I never really had time to do the usual look in the rearview mirror to summarize what 2013 was like for me.
Compared to the past 5 years, it was less eventful than usual, and a lot of it has to do with my father’s passing. I cancelled some gigs I had planned to go to and well, just wasn’t in the mood for anything really, but there were still a few highlights in 2013.
January started with Gothenburg Sound Festival where I met up with FIREWIND-drummer JO NUNEZ who was playing with NIGHTRAGE.

Shortly thereafter, I went to the US to see a few FIREWIND-shows and meet up with the new singer KELLY SUNDOWN CARPENTER for an interview at the Gramercy in NYC. Went to Atlanta and the Masquerade as well, pretty cool venue.

Got stuck in a blizzard the day I was supposed to fly home from JFK via Toronto, and made it home in the very last minute. Drama!
Swedish bands CRAZY LIXX & H.E.A.T played at KB, show got interrupted by the fire alarm and the club was evacuated.
Went to beautiful ICELAND with my friend Henny, that was a trip I won’t forget anytime soon – Iceland is a fairy tale country and I hope they never let the ways of the “outside world” change what they’ve accomplished. It’s amazing.
[This isn’t even Photoshopped – it actually looks like that!]

Gigs, there were a few. IRON MAIDEN played at Malmo Stadion, I spent all day in line to get a front row spot. Well worth it!


MEGADETH played at Vega in Copenhagen, they had just released Super Collider and played the title track from that album live for the first time. Dave Mustaine also brought a kid up on stage, not a usual sight at Megadeth shows. :)

STEVE HARRIS and his British Lion played at KB in Malmo, and although the attendance was low, to say the least, it was insanely cool to see a musician of his caliber that up close! I got dust from his sneakers in my face when he stomped on his monitor, he was THAT close. It wasn’t as bad as people say, the band had a good time and that’s what I remember the most.

Another memorable gig was PAUL GILBERT in Gothenburg, at Sticky Fingers. Been a fan since forever, Paul is amazing. There are some fantastic shredders in the world, but Paul is unique. I love his goofy style, his dry sense of humor, his playing, his way of interacting with the crowd… It was a great show.

After Apollo Papathanasio’s departure from Firewind, I decided to keep track of his other projects, so I went to Hamburg, Germany to visit my friend Su and see Apollo with SPIRITUAL BEGGARS. A few months later made a last minute decision to see the band in Thessaloniki, Greece as well.
Apollo also visited me in my home in Malmo for a video interview and a nice lunch. Awesome dude.
Of course, there were a bunch of FIREWIND shows this year as well. Rock in den Ruinen in Germany, SWEDEN ROCK FESTIVAL, and of course, the tour of AUSTRALIA. I opted out of all other shows because I needed the $$ for Australia.

SWEDEN ROCK FESTIVAL was a weird festival this year, it was only days after my father’s passing, but I had to go to fulfill my duties to Sweden Rock Magazine and also to my friend Su who was visiting from Germany, SRF was her bachelorette party.

Memorable interviews: DAVID COVERDALE (WHITESNAKE), love the man, he rocks!
[A short clip from that interview]
And finally meeting LITA FORD for the first time ever. She was great, I’m glad she didn’t turn out to be a bitch.


Also saw her shows in Gothenburg ad Sticky Fingers and Malmo, KB.
Went to the UK twice in May to see WHITESNAKE, Thunder and Journey. I could see Whitesnake a million times and it still never gets old. :)

GUS G came to Malmo for the SWEDISH METAL CONVENTION, had a great time with him and Andy R, thanks to Pontus for bringing him to the convention. Also met Tallee Savage and her sister Amanda, Jorn, Anders Johansson (YNGWIE, HAMMERFALL) and a bunch of other people.

(Anders Johansson (Hammerfall, Yngwie), Pekka and Gus in the VIP-room)

Gus G and Paul DiAnno:

Straight after that…business class with Emirates to Sydney via Dubai, went on a safari, met koalas, saw the first Firewind show of the Australian tour, continued to Brisbane, met up with Clint, flew to Adelaide and then finally Melbourne. Stayed there for a week after the band had left. Met a few more koalas and then some really nice people at his BBQ party.


The free BAR in business class at my Emirates-flight to Sydney. :) It didn’t suck. ;)

Came home, got another tattoo and saw BLACK SABBATH in Copenhagen.


An old friend, singer of the Swedish sleaze-band NASTY IDOLS, Andy Pierce, passed away at the age of 45, something that I still can’t quite grasp…
Finished my year in the US visiting friends and checking out two gigs that I wrote about in my previous blog, both Savatage-related.
That was it – in a nutshell. Less travel than usual 2013 but I’m already looking forward to the Steel Panther European tour in the spring and Gus G’s solo-debut! Welcome 2014!
The true love for rock’n’roll
This kind of got me thinking of exactly how much I love rock’n’roll.
Was talking to a guy the other day and he said he was into “all kinds of music“, and was trying to convince me that Ultravox (new wave band from the 80’s, playing electronic music) were far better than any metal band – and he was going to make it his mission to make me realize that.
I thought he was kidding, but the dude was dead serious. :) Oh boy. Talk about wasting time and breath for nothing. :)
I can see and appreciate the qualities in other kinds of music, for whatever it may be. It could be good musicianship or a taste for well produced albums or just memorable sing-along songs or whatever. But my HEART is wherever rock’n’roll is. That’s something that people who aren’t IN it, will never understand. Especially not those who say that they listen to “all kinds of music”. I think most of us do, but rockers will always state rock as their favorite music when asked, as opposed to people who don’t passionately love anything, they just listen to “everything”….
Rock’n’roll touches my heart simply because it’s genuine. And I’m not just talking about heavy metal, I’m going back to the 60’s in my trail of thoughts right now. There was all that rebellion going on back then, that paved the way for pretty much all artists today. You had John Lennon – the rebel, you had Stones, Hendrix, Janis, Morrison, The Who… You name it. Mentioning Ultravox in the same breath as those people is just ridiculous. :)
When I listen to Janis Joplin for instance, it’s almost as if she’s transferring her thoughts and emotions directly to the listener, it’s that intense. She was just so amazing and definitely a rebel and a pioneer as no women were doing what she was doing back then. It’s impossible to listen to her sing and feel indifferent.
As far as metal…. It’s got everything that I love about music. It represents strength, power, truth, sex, love, passion, freedom, living life to its fullest (yes I know there are bands in the genre that represent the exact opposite, but generally speaking).
When I first heard Judas Priest, it just knocked me off my feet. There were loud, screaming guitars, loud screaming vocals, pounding bass and drums that just punched you in the face in the most amazing sort of way, the whole combo grabbed my heart and it’s kept that firm grip of it ever since.
The reason why people love bands like Motley Crue for instance, is because they didn’t care about anything, they just did whatever they felt like doing, regardless what was considered tasteful or acceptable.
I’m not saying I agree with all their choices in life but a part of me admires their absolute disregard of what an “acceptable lifestyle” is. Most people are stuck in their everyday lives, being told what to do by their boss, their spouse, their government…whatever other authority you can think of.
Everybody dreams of being able to tell all those authorities to piss off, but most people are not in the position to do that. So, Motley Crue were kind of doing it FOR them.
Societies all over the world also usually tell you to surpress your sexuality, Motley Crue (and most hard rock/metal bands I can think of) are telling you the exact opposite. Embrace it, live it, love it.
It’s YOUR life, nobody else’s. Do whatever you want, as long as you’re not hurting anyone else. That’s why they’re still around. The bad boys dared to just not give a rats ass.
Having said that, I still don’t agree with a lot of shit that they’ve done, but that’s a different story.
The feeling I get from a really great live-show or a crazy good song/album, is almost indescribable. I can’t think of ANY chemical drug that could do a better job. Not in a million years. It’s the same type of euphoria that you experience when you have a crush on someone. That short period of time when you’re up in the pink clouds, can’t eat, can’t sleep and you just walk around with a silly smile on your face. THAT’s what good music does to you.
I’ll never forget that Whitesnake-show at Sweden Rock Festival a few years ago when David surprised everybody by bringing out Bernie Marsden on stage – and then also Adrian Vandenberg…! THAT, combined with the music, oh my god, I was crying like a baby! It was just so incredibly powerful, so touching, I couldn’t stop the tears for HOURS after that…!
One of my colleagues from Sweden Rock still remembers that, he met me right after the show and I looked like Alice Cooper cause my makeup was smeared all over my face from the tears.
I had the same reaction when Rob Halford was playing in Malmo many years ago, at the local rock club KB with his band HALFORD. When he sang “Victim of Changes” something just burst inside and I was just bawling my eyes out. I could not believe that my hero was that close, on a club stage, singing THAT song!
A friend of mine met me outside after the show and I was still crying. She thought I was sad, I had to explain that I was just so goddamn happy that crying was the only way to get it all out of my system.
[Not Victim of Changes, but another one of my fav Priest-covers, Diamonds and Rust!]
I’ve been walking around with Tony Martin’s various recordings in my Motörheadphönes for days now. After all these years….I could listen to that voice over and over again, every day, for 30 years, and I would STILL not get sick of it. In my book. Martin is the embodiment of vocal perfection!
I just feel that “high” every time I hear him. Jesus, he was unreal. He’s always been compared to Dio, but as much as I love and respect Ronnie, and think that he was outstanding, he just didn’t have the same range as Tony. If he did, he wasn’t using it the same way. Tony Martin has this HUGE masculine voice that suddenly just takes detours out into the stratosphere. That voice had a spell on me since 1989 when I first heard him with Black Sabbath.
[Tony belting it out with Mischa Calvin, fantastic album!!]
And lately I’ve been picking up Apollo Papathanasio’s extensive back catalog as well. Vocally, he’s like a Swedish/Greek equivalent to Tony Martin, he’s got the same kind of wide-range voice, deep and sensual, while also being able to hit you with those powerful, strong vocal lines that so few singers have the ability to do. When this song comes on, with one of his many projects, Sandalinas, I just want to kick back, close my eyes, listen and let that voice take me to foreign lands..! :)
Metal is of course also about aggression, which I guess is the one part of it that most non-metalheads have picked up on (and focused on).
But it’s the best way to get all those aggressions OUT. You don’t need expensive therapy or Prozac when you’ve got MEGADETH for example. This is what I wrote right after their show in Aarhus, Denmark back in 2011:
“It feels so frikkin’ great when that heavy, aggressive music, the pumping bass and angry, distorted guitars hits your eardrums – it’s like a spring-cleaning for the soul. Whatever might be stored in there, whether you’re aware of it or not, it just goes away. Amazing.”
Dave Mustaine is an angry man and I love him for it. I love his sarcasm and his grumpy face, I love his fuck you-songs, especially when he has a very intelligent way of approaching whatever issues he’s got with politicians or society. He’s got something to say and he’s certainly not afraid of voicing his opinion, loud and clear.
Megadeth calls to the absolutely most primal sides of us all and hearing those pissed off, aggressive songs is like fucking ANGEL CHOIRS in MY ears! There’s another “high” that metal brings, no doubt.
Rock’n’roll is the love of my life. I’ve pretty much dedicated my whole life to it. I’ll let Lita Ford express it with this song – Rock’n’Roll Made Me What I Am Today.
To have some random dude thinking that he will get me to think that ULTRAVOX is better than rock… lol!
I wouldn’t count on it. ;)
LITA FORD – The best things in life are worth waiting for
The year was 1983 and I was taking my first baby-steps in the new and exciting world of heavy metal.
Back in those days it was very much a man’s world (a lot more than it is today) and eventhough I worshipped Judas Priest (who got the ball rolling) and all those other classic bands, I didn’t have a female rolemodel.
So – I dressed like the guys. Denim and leather, 80’s style with patches, back patches, badges and all that stuff.
[Remember this? ;P]

One day I was flipping through Swedish music magazine OKEJ and saw photos of this “new” rock chick who just released her album “Out For Blood“. Lita Ford.
I thought Lita looked so cool. With that logic, I was also convinced that she SOUNDED good, so I went and bought the album. In two versions, as the cover had been censored in the UK for being “too vulgar”. THAT, of course, meant that I absolutely HAD to have it! :)
[This was the very first article I saw, that made me go buy Lita’s debut album. I’ve still got that scrapbook, these articles are in surprisingly good shape still, no soda-stains or anything :)]
The CENSORED version from 1983 – now signed!

Long story short – Lita has been the source of inspiration ever since. Besides Judas Priest, she’s the reason I’m still here, in this crazy rock’n’roll circus. She paved the way, showed that women could be a part of the business, and not just as groupies (you always get that shit anyway from ignorant people).
She was talented, beautiful, successful, determined and had tons of attitude.
It’s been 30 years since I first got “Out of Blood“. Always wanted to meet her but the opportunity was never given. She just didn’t tour over here much – and the one time she DID, with Bon Jovi in 1988, I had a gig with my own band (major clash!)
I ALMOST met her a few years ago though. At Sweden Rock, I was with Jon Oliva’s Pain who had the caravan next to Lita’s and I could see straight in. But she had what you might call a bad day. Could happen to anyone. I wasn’t going to push anything. The chance was right under my nose but I respected her privacy and chose not to bug her.
My friend Kevin from Jon Oliva’s Pain brought me up on stage during LIta’s gig. Just shot this very short clip from that – we were drinking wine, watching Lita from up close, couldn’t be better. :)
And now, it’s 2013, 30 years later, the teenage girl that was me, who thought the badass chick with the bleeding guitar was the coolest thing ever – finally got to meet her idol face to face for a long and openhearted talk. :)
That’s every fan’s dream. It doesn’t even matter that I’ve been meeting “rock stars” on a regular basis since I was 18 and therefore “should” be jaded. When you get to meet someone who’s actually meant something in your life, you go back to being a nervous, stoked KID!
Lita was great, she is totally down to earth – has a unique quality that makes you feel like you’re long time friends. So, here’s what happened…
MALMO, SWEDEN – JULY 25, 2013….
I woke up at Hotel Palace in Gothenburg early in the morning. I had just been to see her show at Sticky Fingers the night before. Took the bus back to Malmo and slept all the way home while the rain was pattering against the window.
At this point, I didn’t even know if the interview was going to happen. It’s always like that. You get the details in the very last minute, it just goes with the territory…
Around 3 in the afternoon I finally got a text back from the label-guy who informed me that my interview was taking place at 5.30 at the venue. That was when I realized that this was actually happening, finally. When that sunk in, I started getting nervous. Man! Lita Ford has not only been a rolemodel since I was a kid, she’s also the last name on my list of people I want to meet before I die. The circle was about to be completed!
I grabbed my interview-bag and drove down to the venue, KB – my second home. I just wanted to find a good place to do the interview where there wouldn’t be sound check-noise or people running in and out. Johan, alias “Dr AOR” was outside and he was one of the DJ’s of the evening so he let me in.
Bengan, who’s been working at KB since forever, suggested the main dressing room, which also serves as a hospitality room. It was empty and it was perfect.
Lita’s tour manager introduced himself, a nice man, and I stayed watching the sound check preparations while waiting for Henrik “the camera man” to show up.
Then…. Lita arrived. Her comment just made me laugh, because I know exactly where she was coming from with that question: “Do I know you from before, or are you doing the interview?”
I’m exactly the same. I never freaking remember people, so as to avoid awkward situations, it’s better to ask first.
She came over a few times, asking me when and where we would do the interview, and when I mentioned that I was waiting for my camera-guy, she realized that it was going to be recorded, so she took her makeup bag and asked where the toilet was. :)
Henrik and Mari arrived just when the sound check was about to begin. I told the tour manager that they didn’t have to worry about us. KB is our second home, and we know our way around. We could handle the setup ourselves while Lita was sound checking (I stayed and watched one song before I went upstairs to prepare).
It was unbearably hot in the dressing room. No airconditioning or anything. When Lita walked in she felt it right away and just went “Oh my god! Isn’t there an airconditioner in here?” The idea of doing the interview dressed in her cool, black leather jacket was out of the question.
The KB guys brought 3 different fans, and a cooling-machine of some sort and plugged it in, so we could kind of survive….
She was chit-chatting while fixing her makeup. Again, she did what I always do – took the makeup bag and flipped it upside down so that everything in there just fell out on the table in one big pile of mixed random makeup-products.
“I bought all this new makeup, haven’t tried some of it yet so I don’t know what it does exactly”, she laughed and continued fixing her makeup over at the floor mirror. She was upset that one of her guitars had been smashed by United Airlines on her way over to Europe, and it was one of her favorite red guitars. The neck was broken, couldn’t be fixed.
Small little talk about coffee and staying awake when you need to (I gave her my energy-gums, the ones I use when I’m out on my own “tours” and she tried one right away. Then after a few seconds commented: “Wow! That is one serious gum!” It is – it’s strong and you feel it working right away. Don’t know what I’d do without those!
I was still a bit nervous, but Lita was just so easy to deal with that I felt like I was talking to someone I’d known for a long time. She just has this open attitude that makes people feel relaxed.
She noticed Henrik’s designer t-shirt, liked it and asked what designer it was.
The first few questions were just a bit of standard stuff, to get things going. And as some of this material was equested by another media, I won’t be able to publish any of that until it’s been used for what it’s intended to. But the second part of the interview will be up here soon, transcripted and edited within the next few weeks.
[A short random clip from the interview – we’re talking about tattoos here]
The thing is…. I’ve followed Lita since the early 80’s, and when you read so much about an artist and watch them on TV or Youtube or whatever, it feels like you already know them. I guess that’s why you like certain artists more than others – because there’s something about them that you can relate to and understand, and Lita has always been that person.
I smiled when she said that during the Runaways-days she wanted it to be dark in the studio where she recorded her vocals. She didn’t want people to look at her making her faces while she was singing.
I did the exact same thing – I turned out the lights in there and I’m sure the guys were thinking WTF, but it just made me relax. I didn’t know that Lita did the same. It’s just those small things…!
It got to a point where the conversation got pretty deep and I had to really use every bit of strength and concentration to stay professional in front of the cameras.
We were talking about death and she was telling me about her mother’s last three days in life. Lita never left her side. It was hard for her to talk about it. She also mentioned her father who had passed away a few years before her mom. Lita and her parents were very close, and the song “Lisa“, that she wrote for her mom, always made me cry. Still does.
It was difficult for her to talk about it still, eventhough it’s been 23 years since her mother passed away. I wanted to say something, just a short comment that I could relate because I just recently lost my father. But as I started the sentence I realized that I couldn’t continue – I just felt how hard it was to even go there. I couldn’t. This wasn’t about me anyway,
So I was holding back the tears – so was Lita. But you know… It helped me, as another piece in processing my own grief.
You never stop hurting and you never stop missing those you loved and lost, but you get on with your life, because you must. We had the same ideas about life after death, or “life on the other side”.
She wasn’t afraid to talk openly about pretty much everything and anything. In her opinion, there are 2 kinds of people in the world: Leaders and followers.
In order to change something, somebody had to be first and lead the way. She was okay with being one of those people.
“I’m not alone thinking or feeling the things I do. There are others out there who have similar experiences. But they are afraid to talk about it. When they see somebody else bring it up, they can say “that’s how I feel!”
So, basically, Lita said a lot of things that I can relate to 100% and I definitely respect and admire her even more after finally meeting her.

Another important aspect of the interview dealt with the family tragedy she’s going through. I will post that part of the interview soon, it’s very sad. It doesn’t matter which parent made the most mistakes in a marriage or what the reasons are that people get divorced. But when kids are being used as weapons in those battles, it sickens me.
Lita started this Facebook-page which deals with the subject – check it out:
Lita Ford’s Parental-Alienation Awareness
I could have stayed there talking with her for hours. She wasn’t looking at the clock or going “one last question, I gotta run” – which is almost standard. EIther the artist or some manager interrupts an interview by letting you know that you need to finish. Lita was totally cool, no stress.
We continued talking after the cameras were turned off, and I could not have asked for a better first meeting. I’m thankful it turned out that way. Cause when you’ve admired someone for so long, it would have been somewhat disappointing and almost devastating to find out that that person was a prick and that you wasted 30 years of your life following his/her career.
That didn’t happen with Lita. I can still relate to her, maybe even more now than before. Go check out the photos from the interview and the shows at www.facebook.com/intherearviewmirror
I thanked her for her time and instead of shaking hands, like I usually do, I instinctively gave her a hug. I never do that. It’s happened maybe once or twice before that I’ve hugged a “stranger”, and especially not in interview-situations.
And ten minutes later, when I was leaving the venue to go home and leave some of my stuff before going back to the show, she hugged me. So, I think it was a good chemistry and after 30 years it feels like the best things in life are worth waiting for!




Whitesnake, Manchester and other thoughts…
Third move to another blog provider. Let’s hope I won’t get any trouble with this, and thanks to Metalpaths for the kind offer to help out when I was struggling trying to get the other blog to work.
Those of you who used to subscribe and get the updated posts directly in your e-mail (a service that was offered by Posterous) – you can do that now, as WordPress offers that service as well. :) Just scroll down a little and you’ll find the subscription button to the right.
Today is a day off. But my “to do”-list is still long, tomorrow I’m off to Manchester for the Whitesnake (Journey/Thunder) show at MEN Arena. I’m as excited as ever about that, I just don’t like that it’s a seated arena.
Everything is “seated”. I just don’t think that the floor in front of the stage at a ROCK concert should EVER be seated! I want to stand there in the front with a bunch of other maniacs and feel the PULSE, the ENERGY and just get into it. At least at a Whitesnake concert I do. You can’t get that feeling in a CHAIR. :-/
Keep the seats for the Symphony Orchestra, and give the rockers space to go wild.
Other things that are on my mind today are all the losses in our rock’n’roll extended family…
This week has been a sad one for many fans of the Doors and now also for the fans of Uriah Heep.
Ray Manzarek – founder, keyboardist/bassist of the Doors, died of cancer in Germany, Monday evening, at the age of 74. I’d say that the credit for the sound of the Doors goes to Ray. Another historic rock icon has waved farewell.
Uriah Heep‘s bassist Trevor Bolder lost his battle against cancer at the age of 62 yesterday.
It seems that we are losing one after another now.
There’s probably going to be a lot more in the years to come. Hard rock/heavy metal was invented in the seventies, if you don’t count the bands and artists that inspired the development of it, back in the sixties.
The Black Sabbath or Deep Purple guys were young back then – in their early 20’s, and they are hitting their 60’s now, at the very least – and although 60 is not old for a rocker, it’s still an age where many are beginning to battle various health issues. Doesn’t have to be lethal but our heroes are simply not going to be around forever.
And it’s just now that this is beginning to sink in, cause we grew up with these guys, they are such a natural part in our lives. Much like parents, they’ve always been there, it’s hard to imagine the day when they won’t be, eventhough you know that that day WILL come.
Just makes you think. I’m going to as many shows as I possibly can – especially by the great legends of metal, because you never know how long you’ll have that privilege. Might be 10 more years, might be tomorrow.
Sad thoughts aside – hectic times ahead. Whitesnake in Manchester, UK tomorrow, Megadeth in Copenhagen on Saturday, Whitesnake at Wembley next week, and then shortly after that – 4 days of metal madness at Sweden Rock festival. A week after that – Whitesnake again in Zagreb, Croatia.
But it’s the kind of “busy” that I love! See you all out there, somewhere! :)
Gus G to the Swedish Metal Convention in October

It was announced yesterday:
Gus G will be visiting Malmo, Sweden in October to attend the Swedish Metal Conventon.
Needless to say, considering that I’ve seen this guy all over the freaking GLOBE with either Ozzy or Firewind the past two years, I’m definitely happy about his participation at the convention.
It’s a great event, cause usually top-notch musicians do clinics – but people who aren’t musicians themselves (just fans of their work) may feel misplaced at a clinic.
Then there’s the VIP-meet-and-greet packages, that…. well, never been a fan of those. I absolutely understand the reason behind them, as people are downloading music for free nowadays and it’s more difficult for artists to get paid for their work. Money has to come from somewhere, it’s not free to tour or to make albums. Hence the VIP-packages. But, not something that I would do personally.
The convention however, is open for all metalheads and for the curious. Fans and artists get to meet in a very relaxed atmosphere – eventhough there are enthusiastic and stoked fans standing in long lines to get their CD’s signed, say a few words to the visiting artists or take a photo. :-)
There are still the more niched segments to enjoy at the convention as well – the Q & A, clinics or like last year when Mike Tramp did a very down-to-earth acoustic set in a small conference room. When would you ever get the chance to see something like that elsewhere? :)
Gus is an amazing guitarist and performer, and on top of that also a really nice guy. And as icing on the cake, there will be at least one album-release this year: The Firewind live CD from the 10-year anniversary shows in Athens and Thessaloniki (those were amazing by the way), and maybe – just maybe, also Gus G’s first real solo album. And I KNOW that I’m not the only one looking very much forward to that.
[Gus with OZZY – Westfalenhalle in Dortmund, Germany last year]
But, first thing’s first. Going to Dortmund, Germany to see Firewind at the Rock in den Ruinen festival now in April – and then there’s of course Sweden Rock Festival where you’ll find Firewind on the 4Sound stage (also more known as the classic Zeppelin-stage) stage June 7th (Friday) 13.45 to 14.45.
See you all there!
[From the anniversary show in Thessaloniki back in December where Gus decided to take a dive into the crowd ;P]



